Tag Archives: Henry David Thoreau

Once More to the Old Tree

By Corinne H. Smith

In November 1860, Henry David Thoreau walked around the neighboring town of Boxboro to inspect an old-growth woodlot owned by Henderson Inches. He was fascinated by the oldest oak trees he had ever seen. He made two separate trips in eight days and did a lot of trunk measuring. “I can realize how this country appeared when it was discovered,” he wrote on November 10th. “Such were the oak woods which the Indian threaded hereabouts.”

The oldest tree I ever met was a craggy and shaggy sycamore that lived a few miles from my childhood home. Our Girl Scout troop visited it once, probably in the late 1960s. We were told then that it was either the oldest or the largest tree in the state. Or was it the country? I forget. I remember that its arms stretched over the front yard of a farmhouse that was otherwise surrounded by cornfields. One huge branch almost touched the ground. We could have climbed up and sat on it, but we were warned against doing so. Someone was worried that the branch would break off under our weight. Being an avid tree climber myself, I was disappointed. The tree was great to look at. But I longed to clamber over that one branch and to sit among its massive leaves for a while. I would have been careful. I wouldn’t have broken it.

Fast forward, forty years. Now most of the cornfields are gone from this area. They’ve been replaced by a four-lane highway, strips of businesses and eateries, and a road leading to the Old Sycamore Industrial Park. It’s ridiculous. I feel a sense of indignation whenever I pass by the intersection.

I voiced this opinion to a childhood friend recently, as he and I were riding along the main road. “It’s too bad that the only legacies left of the tree are its name and its picture on that stupid sign,” I said.

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“What are you talking about? The tree’s still there,” he said.

“No, really? I assumed it had fallen down or had been plowed under.”

We made a quick turn onto Old Tree Drive, passed a few faceless facades of warehouses, and then turned left into a small parking lot. Sure enough, there they both still stood: the farmhouse and the sycamore tree. I was amazed. The developers had chosen to leave them alone.

And yet: time and circumstances had aged the tree a great deal. Fresh leaves showed that the tree was still alive, but much of its main trunk had deteriorated and was missing. It seems never to have grown straight up toward the sky. Instead, it grew out and across the yard. The low main branch I remembered was now supported by a short post, and part of it had long settled on the ground. The higher main branch also rested on a large support timber. This sycamore was an even older man now, receding and wasting away, needing crutches. But it was still hanging on; still taking in carbon dioxide and giving us fresh oxygen in return. Thank you, Tree.

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In the days that followed, I grew curious about this sycamore. Was it the oldest or the largest, within any political boundaries? I did some brief research. A contributor to a 1944 state tree book called “Penn’s Woods, 1682-1932,” said that this one was ‘Pennsylvania’s Most Massive Tree.” Local newspapers occasionally ran stories about the tree, but the articles didn’t include any accolades. I clicked on some web sites that documented the oldest or biggest trees in the country and in the world. But no one had yet registered “our” sycamore on these species lists. And I didn’t have any numbers to make accurate comparisons. So I did what Henry David Thoreau would have done. I went back to the site outfitted with a tape measure, a camera, a notebook, and an assistant.

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We measured the girth – or, what remains of it – at 25 feet around. The low branch is about 70 feet long and is generally about 7 ½ feet in circumference. We can estimate that its age is somewhere in the 300-350 year range, taking it back to a time when this place really WAS part of Penn’s Woods and was merely a colony. I registered the tree on an international Monumental Trees web site. According to the lists assembled there, this one may not be the oldest or the biggest sycamore tree in Pennsylvania. One in Lansdowne may beat it out by 100 years.

Our sycamore may not be an award winner or a “witness tree,” but it has witnessed quite a lot. We can be proud of its history and its stamina, and we can admire it for as long as it is able to live with us. And yes, I still desperately want to climb over that low branch. I haven’t … yet.

(Thanks to Paul Martin, Jr., for his help in this rediscovery.)

Bluebird Birthday

By Corinne H. Smith

I eased through a birthday last week. I say it this way because I didn’t celebrate the occasion. This year didn’t carry a momentous number ending in 0 or 5. And once you hit the half-century mark, you have no need for fanfare. No reason to get dressed up and have a party with school friends, with a big birthday cake and candles and a rousing game of Pin the Tail on the Donkey, like we did way back when I turned seven. It’s now just a day like any other. I was determined not to play it up.

Then again, I allowed Facebook to out me. The quick online greetings started early. I ignored them as best as I could and logged off to go to my job at a used bookstore. One of my co-workers came in later with a strange expression on her face.

“Did Facebook lie to me this morning, or is today your birthday?” she asked.

I nodded. “Today is my birthday,” I admitted.

“Then I have a small birthday present for you,” she said. She handed me a candy bar. It was the exact brand and size that she has seen me nibble on every workday for a year and a half. It was the perfect present. I thanked her for this considerable generosity.

Truth be told, I had already gotten quiet birthday wishes at work the previous day. They came as I was cataloging a book. I opened the front cover and a card fell out. I’m used to this happening. People leave all sorts of items behind in donated or abandoned books: bookmarks, receipts, subway tickets, postcards and such. This greeting card had on its cover a painting of a bluebird in front of a forsythia bush. The scene was bright and almost too colorful and Spring-like for this all-brown November day. “Especially for You On Your Birthday,” it read. Coming into my hands within 24 hours of my own anniversary, this card seemed to be meant for me. Inside was written the name of the previous owner (who is now deceased, I know) as well as the signature of the friend who had sent him this card. I couldn’t return it to its original receiver. I didn’t know who the sender was. I felt only slight remorse at commandeering the card. I slipped it into my bottom drawer so that I could take it home.

At the end of the day, when I walked into my kitchen, I put the card on the table next to my two others. I had gotten these through the mail from long-distance friends. One was funny, and the other one was nice and heartfelt. Both reflected well the people who had sent them. They made me smile.

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I looked at this third card and wondered if I should have just dropped it into a recycling bin. It was pretty enough. But it was too flowery for my style and too much like an old-person’s card. I am not an old person. I wouldn’t have given this card to anyone. And I would have shrugged it off as a mistake if one of my actual friends had seen fit to send me one like this.

To keep, or not to keep? I opened the card again. This time I saw a small paragraph on the bottom left that I had missed seeing earlier. It defined the picture on the cover. “Eastern Bluebird. The bluebird ‘carries the sky on its back,’ wrote Henry David Thoreau.” Now I laughed out loud. I didn’t have to read the rest of the description. I knew that this card had come directly to me from Henry. What other explanation could there be? It’s a keeper. Thanks, Henry.

A Thoreauvian Artist in Amsterdam

By Corinne H. Smith

You never know when or where you will meet another fan of Henry David Thoreau. Even if the person may be long gone and may have left only a few clues behind.

In my part-time job at a bookstore specializing in art books, I recently came upon a unique catalog from 1965. It consisted of black-and-white illustrations of artwork by an artist named Viktor IV. I had never heard of him, and we certainly didn’t have any other books about him. From what I could tell, he then lived in Amsterdam and created unique pieces out of wood and other materials. This was a small and quirky publication that was probably self-published. Normally, I wouldn’t have thought too much of it. But the three-line dedication at the top of the opening page took me by surprise:

viktorwords

What? Wait. Who WAS this guy? I had to do some online research to find out.

Viktor IV was the professional name of New York-born artist Walter Karl Gluck (1929-1986). As a young man, he traveled around the world before settling down in Amsterdam in 1961, with the intent of being a photo-journalist. It is said that the 1963 assassination of John F. Kennedy had a profound affect on him. He immediately decided to become a full-time artist instead of a photographer. After he made a collage based on the assassination, he renamed himself Viktor IV. He set up his studio and home on a small ship docked in one of Amsterdam’s waterways. And he soon became one of the art community’s notable characters. People got used to seeing him riding his painted bicycle or walking around the city, in bare feet and dressed all in black, with wild white hair and a bushy beard, looking for inspiration.

Viktor at Home

Viktor at Home

Viktor’s early art was created from driftwood and other found pieces in the river. He assembled decorated wooden panels that he called “ikons.” But he didn’t limit himself to small creations. He also put additional structures like extra masts, towers, and rafts on and around his ship. As long as he didn’t block the entire waterway, he was free to add to it as he pleased.

Throughout his life, Viktor kept a set of artist journals filled with writings and drawings. He later developed these into thousands of individual pieces of artwork. When Viktor eventually became intrigued with time-keeping, he devised what he called “Bulgar Time,” and designed a clock to run backward. You can see a virtual example of the clock on his web site at http://www.viktoriv.nl/en/home.html. It’s a tad disconcerting at first to watch the hands move the wrong way, but it’s fun.

Sadly, Viktor drowned one day while making underwater adjustments to his flotilla. He had gotten tangled in the ropes beneath his ship. He was 57 years old.

Reports say that the two people who were the biggest influences in Viktor’s life were Dutch painter Anton Heyboer and American writer Henry David Thoreau. He read “Walden” and “Civil Disobedience” at some point in his youth. How Henry led Viktor specifically to Amsterdam is not spelled out in the brief bios I read. What IS clear is that Viktor IV followed his Different Drummer, and he found his own Walden. He discovered not only where he needed to be, but what he needed to do in life. This Thoreauvian lesson attracts both the heart and the head.

Maybe today Viktor and Henry are floating in a boat somewhere, looking for driftwood, nodding to each other, and laughing about time running backward. Good for them.