1971 at a small college to the west:
I shift, redistributing my weight on the folding wooden chair. The sun catches in the black folds of my gown, and there the heat grows intense; it seems to swim up in waves before my eyes, which stare vaguely at the figure on the stage. A rivulet of sweat trickles down the center of my back. Were a race of ingested chemicals loose in my bloodstream, the waving arms and the white angel’s robe before me would say “hallucination.” But the hand of the sun and the bass throb of headache and the heavy morning light of May say simply, “He is just a man, a speaker; sit.”
A phalanx of black-gowned, degree-hooded professors sits patiently on a stage stretched across the courtyard’s only shade and listens while the white-clothed poet dismisses their world with a flip of his raised hands. “What do you know?” says Robert Bly to me and my rank of classmates. “Not much,” he concludes for us. “Yet.” I shift again, glance down the row to my friend Tim, try then to cast back to the comfort of last night’s darkness and its final raucous cries, a night of raised glasses and imagined worlds that are already washed up on the day’s sun-warmed rocks. “But …


