Category Archives: Walden

Henry in the Hills

“On the tops of mountains, as everywhere to hopeful souls, it is always morning.” Thoreau – from an early draft of Walden

Recent research, on page and on foot, has taken me to some of Henry Thoreau’s upland excursions, the ones where he traveled a good deal beyond Concord rather than within. In particular, I’ve been reading and imagining about his two journeys into the White Mountains and up Mount Washington.

Henry Thoreau first went to the White Mountains in 1839, beginning his two-week trip with his brother John on the Concord and Merrimack Rivers, thereby seeding the narrative of his first book. One might suspect that Thoreau’s climb of northeastern high point, Mount Washington would show as a high point in his notes, but it passes in a single clipped sentence. The meandering rivers get their due, as they do also in his first book, A Week on the Concord and Merrimack Rivers. But Thoreau’s overland mountain tour in 1858 is, in his journal, a different story; its chronicle covers more than 60 pages, and it is rich with detail.

In his dates and in his commentary, Thoreau catches nicely the early history of climbing on our White Mountains. In 1839, Thoreau and his brother weren’t first on the uplands, but they were part of the vanguard of visitors drawn to its transcendent landscape. Twenty-one years later, Thoreau and his companion Edward Hoar arrived at the height of the pre-Civil War tourist boom: now there were two hotels on top of Washington, and, though Henry, per usual, relied on his own two feet, scores of tourists now rode their way up prominent, popular mountains on bridle paths.

White Mtn uplands, where sky and land come close

White Mtn uplands, where sky and land come close

As with many activities that drew throngs, Thoreau later had something to say about mountaintop buildings: “I think that the top of Mt. Washington should not be private property; it should be left unappropriated for modesty and reverence’s sake, or if only to suggest that earth has higher uses than we put her to.” 1/3/61

But what catches my modern eye is his July 8th description of leaving Mount Washington’s summit in the fog, bound for Tuckerman Ravine:

About 8:15 A.M., being still in dense fog, restarted direct for Tuckerman Ravine, I having taken the bearing of it before the fog, but Spaulding [a summit hotelier] also went some ten rods with us and pointed toward the head of the ravine, which was about S 15 degrees W. Hoar tried to hire Page to go with us, carrying part of our baggage, — as he had already brought it up from the shanty [along the carriage road where they spent the prior night] — and he professed to be acquainted with the mountain; but his brother, who lived at the summit, warned him not to go, lest he should not be able to find his way back again, and he declined. The landlords were rather anxious about us. I looked at my compass every four or five rods and the walked toward some rock in our course, but frequently after taking three or four steps, though the fog was no more dense, I would lose the rock I steered for. The fog was very bewildering. You would think that the rock you steered for was some large boulder twenty rods off, or perchance it looked like the bow of a distant spur, but a dozen steps would take you to it, and it would suddenly have sunk into the ground. I discovered this illusion. I said to my companions, “You see that boulder of peculiar form, slanting over another. Well, that is in our course. How large do you think it is, and how far?” To my surprise, one answered three rods, but the other said nine. I guessed four, and we all thought it about eight feet high. We could not see beyond it, and it looked like the highest part of a ridge before us. At the end of twenty-one paces, or three and a half rods, I stepped upon it, — less than two feet high — and I could not have distinguished it from the hundred similar ones around it, if I had not kept my eye on it all the while.  Journal

Thoreau, who was a quick study, then offered comment that reads as kin to the sort of advice a reader can find in a modern guidebook about hiking, or in the lesson-drawing comments of mountain accident analyses.

It is unwise,” he writes, “for one to ramble over these mountains at any time, unless he is prepared to move with as much certainty as if he were solving a geometrical problem. A cloud may at any moment settle around him, and unless he has a compass and knows which way to go, he will be lost at once…To travel there with security, a person must know his bearings at every step, be it fair weather or foul. An ordinary rock in a fog, being in the apparent horizon, is exaggerated to, perhaps, at least ten times its size and stance. You will think you have gone further than you have to get to it.  Journal

There is, in Thoreau’s description, the hint of menace that fog and unsightedness can carry on an exposed mountain. You can quickly lose your way, become wrapped in illusion, which carries you farther afield; all the while the very rocks on which you walk seem to change size, shift shapes, reminding you also that nothing grows up here, that life’s supports are far below, and that you must go there to live on.

Half menace, half promise

Half menace, half promise

Given good facility with a compass, measures of distance and sound footing courtesy of his work as a surveyor and his long walkings, Thoreau leads the way just there; he and Hoar and companion go down unerringly to Tuckerman Ravine. Already his foot habits are making him familiar with the land. But Thoreau also seems aware that they have reached an edge, a place where accident and trouble are close by, a place visited often by modern search and rescue and its narratives of loss. These mountains, he sees, even in early July, can be a terra of trouble.

Prescient, as ever.

Reader’s Note: My research has also led me J. Parker Huber’s delightful 1999 compilation, Elevating Ourselves, Thoreau on Mountains.

Remembering Jim Harrison

by Scott Berkley

In his biographical sketch of Henry Thoreau, Ralph Waldo Emerson excused his friend and protégé’s fixation on local matters at the same time that he made a good case for Thoreau’s Concord-adoration. “I think his fancy for referring everything to the meridian of Concord did not grow out of any ignorance or depreciation of other longitudes or latitudes,” wrote Emerson, “but was rather a playful expression of his conviction of the indifferency of all places, and that the best place for each is where he stands.”

One of the places where Thoreau stood.

One of the places where Thoreau stood.

What Emerson calls the “indifferency” of place, however, we might see as the deep and abiding respect of the writer for local material and what it means. Thoreau, one of the great exemplars of writing from where one stands, has descendants in the poetry of place scattered across our fifty states. One of the greatest was the novelist and poet Jim Harrison, who passed away in late March after many years of wandering his beloved home ranges, first in the upper Midwest and later in the Arizona desert.

As all the obituaries that sprang up after Harrison’s passing have noted, he was prolific enough to make a new reader wonder where to start. Among more than twenty books of fiction, his 2004 novel True North stands out in my mind as a particularly Thoreauvian engagement with the Great Lakes and the land surrounding them: from the back woods of Michigan’s Upper Peninsula; to the cities of Marquette, Sault Sainte Marie, and Duluth; stretching down along the Ohio River all the way to lake-less Indiana. Of course, it being Harrison, it is also a romp through a spread of pleasures both gustatory and sexual – matters that would have been too worldly for the nineteenth-century concerns of Mr. Thoreau.

Yet as in any of his novels, food and sex bolster True North just as much as Harrison’s carefully-honed prose style, making it an unusually sensitive meditation on the landscape and on the way we become ourselves in a world of knowing and unknowing, ancestors and descendants, ordered thinking and chaotic doing. David Burkett III, Harrison’s half-blundering, half-tragic protagonist, wrestles with the self much as young Henry did when first arriving at Walden Pond from the schools of Concord and Cambridge:

… I had high school and college courses in many aspects of the natural sciences but they didn’t enable me to put together the whole picture of what I was seeing around me. It had long been obvious to me that I wanted to know too much, perhaps more than anyone was capable of … I learned in my anthropology course that people prayed in every single culture. But where did the urge to know everything come from?

One can see David thinking all this while rowing a boat downriver, much like Henry Thoreau out floating on the Pond at the moment in Walden that he realizes, “my head is hands and feet.” David loves to row – and we imagine Harrison did, too –because it gives him a view of the past without allowing him to fixate on the future. As David comes to know his Midwestern landscape in search of his family’s history running an extractive logging operation, we realize his “project” is in conversation with Thoreau’s own sense of how to know a place anew, more deeply than ever before.

April water at Walden

April water at Walden

I wonder often what Henry Thoreau would have written had he survived his illnesses and lived to be sixty or seventy. It is unlikely that he would have become the sort of novelist and raconteur that Harrison still was in his seventies, but undoubtedly he would have kept his custom of spending several daily hours in the act of sauntering, encircling Concord with his footsteps over and over. An older David Burkett, late in True North, goes out on foot in the desert mesas of southern Arizona. After falling repeatedly in the steep and rocky terrain, he learns how different the place is from the forests and marshes of Michigan. “I was a flatlander, simple as that,” he admits. “One day I ran across a biologist disassembling a pack rat nest and midden and he said it took years to learn a new landscape.”

Constantly attuned and devoted to the act of learning the landscape through the saunterer’s vision, Thoreau and his words will endure in part because we come to know Concord so intimately through his. Who but Jim Harrison could have been the deviant saunterer of the upper Midwest, a place that we now know through his words and thus through his eyes.

Scott Berkley is a Middlebury College senior and AMC hutman; he’s writing a thesis on Wallace Stevens and looking forward to summer at Galehead Hut in the White Mountains.

April Wish

A favorite poem for the month, for spring, for the day-by-day

During his years as U.S. Poet Laureate, Robert Pinsky set up one of my favorite initiatives – The Favorite Poem Project. In community readings and audio files and online readings citizens were asked to choose and recite or read aloud a favorite poem, one that stayed with them, whispered encouragement, or understanding, or solace…whatever the times. For a while poems appeared spontaneously, sometimes in odd places, unexpected against the daily din, or amid the billboards of announcement.

Though I never committed it to tape or YouTube, I carried with me a favorite poem, a sort of poem in your pocket, or, in my case, poem in your wallet. And I read this poem often, as reminder, as map to the day really. Here, with a thought or two to follow, and then a request, it is:

Mary Oliver’s Going to Walden

It isn’t very far as highways lie.
I might be back by nightfall, having seen
The rough pines, and the stones, and the clear water.
Friends argue that I might be wiser for it.
They do not hear that far-off Yankee whisper:
How dull we grow from hurrying here and there!

Many have gone, and think me half a fool
To miss a day away in the cool country.
Maybe. But in a book I read and cherish,
Going to Walden is not so easy a thing
As a green visit. It is the slow and difficult
Trick of living, and finding it where you are.

Once, while waiting for a speech to begin, I talked with Oliver about this poem, and she pointed out a feature I hadn’t noticed before – the two stanzas appear like tablets, stone on which is written a meditation on life and a route to it. The stanzas are stolid in appearance, even as their language is not; they will endure, as stone does. A reader, this reader, may return to them, even as s/he engages in “the slow and difficult/Trick of living, and finding it where you are.”

The slow, difficult trick.

The slow, difficult trick.

I am glad to return to this favorite poem as spring appears, hesitates, vanishes, reappears. Spring too is on more than a “green visit”; perhaps the going is “slow and difficult,” but I hope you are “finding it where you are.”

Send on yours, if you wish.

A few links to the Favorite Poem Project:

https://www.youtube.com/user/FavoritePoem

http://robertpinskypoet.com/favorite-poem-project/