Category Archives: Living Deliberately

Meeting Thoreau at the Bookstore

By Corinne H. Smith

“The greatest compliment that was ever paid me was when one asked what I thought, and attended to my answer. I am surprised, as well as delighted, when this happens, it is such a rare use he would make of me.” ~ Thoreau, “Life Without Principle.”

In my work at a used bookstore, I happen upon references to Henry Thoreau on a semi-regular basis, often without warning. Last week he showed up three times. And in each instance, someone offered a unique interpretation of his words.

Thoreau emerges 3 times

Thoreau emerges 3 times

The first came in a 1927 book called “Handmade Rugs” by Ella Shannon Bowles (1886-1975). Bowles was the author of a number of craft-related books in the early 20th century, including “Practical Parties,” “About Antiques,” and “Homespun Handicrafts.” Later she wrote several books based on geography and New Hampshire. How did she somehow bring Thoreau into her narrative about home-made rugs? Amazingly enough, in the final and concluding paragraph, where she wanted to emphasize how much of themselves the rug-makers put into their work:

Thoreau says the value of a thing is determined by the amount of life that goes into it. So home rug-making will live on, as far as the craftswoman expresses herself in the products of the rug hook, the needle, and the loom.

While this is a nice sentiment, I don’t believe it’s quite what Thoreau had in mind. The sentence Bowles was referring to was from the “Economy” chapter of Walden: “The cost of a thing is the amount of what I will call life which is required to be exchanged for it, immediately or in the long run.” Bowles had remembered the idea from the point of view of the creator, and not of the purchaser, as Thoreau had. These are slightly different takes, and both equally valid. But hardly the same. We also have to wonder how Bowles knew of and read Thoreau, since his circle of fame was still rather small in the 1920s. Perhaps being based in New England helped her.

The second time Thoreau came to me was in the fifth edition of “Much Loved Books: Best Sellers of the Ages,” by journalist and literary critic James O’Donnell Bennett (1870-1940). It too originated in 1927, with a 1932 library edition. It was a collection of 60 lengthy columns that Bennett wrote for The Chicago Daily Tribune. Here he extolled the virtues of select classics, including Walden. He practically tripped over his enthusiasm for Thoreau and his work:

Of Thoreau’s masterpiece two wonderful things are true –
No man having attentively read it is ever the same man again,
Second – Nobody ever wrote a book in our tongue like it.

And this was just the beginning. Bennett gushed over Thoreau and Walden for nine pages. He mentioned that he had visited the Concord Antiquarian Society, the predecessor to the Concord Museum. And he was quite familiar with the 20-volume set of Thoreau’s works that was published by Houghton, Mifflin in 1906, as well as Ellery Channing’s biography, Thoreau: The Poet-Naturalist. I don’t believe I’ve read a more devoted tribute from someone from this time period. His concluding paragraph read:

He is the bonniest, gravest, honestest spirit in our literature, and his great book has the sunshine, the crisp snow, the bird notes, the morning light and the morning fragrance of Walden pond bound in with every one of its nearly 400 steadying, exhilarating, comforting pages. It lives and sings.

Wow! When Bennett died, he left his library of 7,000 volumes to The Tribune for use by the journalists. His funeral announcement in the paper said: “He liked to read random bits from such writers as Thoreau, Hazlitt, Tolstoy, Emerson, Hawthorne, and Shakespeare, his personal literary gods.” Bennett sure had a good core group at his fingertips.

The final time Thoreau showed up at the bookstore last week, it was in conversation with a regular customer, whom I’ll call Earl. Earl is in his late 70s, and he likes to talk. When he brought three big, colorful books on European castles to the checkout desk, he told me he was saving up his money to make the trip across the ocean to see some of these castles. We chatted about travel and books and other random subjects. Earl is the kind of person who has been places and has read widely, and this was not the first time he and I had talked.

Somehow my interest in Henry Thoreau came out. Earl seemed pleasantly surprised at this news, probably because it turned the conversation in a different direction. He admitted to me that he had once read the book that he mistakenly called “On Walden Pond.” (See my earlier post about this phenomenon at https://thoreaufarm.org/2013/10/two-ponds-or-two-henrys-one-work/.) I chose not to correct him.

“Do you know what my favorite part was?” he asked.

I shook my head. With Earl, it could have been anything.

“My favorite part was when he said that you should dig deep. I liked that. I think this is what I’m doing with my castle research and with the other historical subjects I’m interested in. I’m really digging into them, and I’m enjoying it very much.”

I commended him on his research and his choices. At the same time, I marveled at the fact that out of the entire text of Walden, the one sentence that resounded most with Earl was: “I wanted to live deep and suck out all the marrow of life.” Yet I had no doubt that this was exactly what Earl was doing.

Here were three different voices from three different sources and with three different interpretations. You never know what piece of Thoreau’s work people will take and what perspective they will have on it. I continue to be amazed at how far he continues to reach.

Firstling

It is, as the Roman god Janus is said to remind us, the time for looking backward and forward. And, for a two-faced god, or a weary human, looking one way inflects the other. In such a state it can be hard to inhabit the present. Resolution hotfoots it into the past or the future.

Enter the walking (or skating) man, Henry Thoreau, who lived the stuff of resolution – “I went to the woods because I wished to live deliberately, and front only the essential facts of life…” – but who rooted that resolution firmly in the immediate. Reduced to a somewhat inelegant phrasing, Thoreau’s life might be contained by this command: Be here fully, now.

What, I wonder, did Henry Thoreau make of New Year’s day?

I pull out all the journals and align them chronologically; I make sure too that I have my buck knife, reserved on indoor days for the opening of still-joined pages, should I encounter some. Then, I begin to leaf through the years 1850 to 1861, years of prolific output and years when Thoreau attached his journal-writing firmly to dates. Specifically, I want to see those years’ endings and beginnings. How did Henry Thoreau ring out the old and write in the new? Did he even mention something as arbitrarily imposed as a “new year?” Or was the calendrical shift seamless, unmentioned as he opened his door on simply another day, which was simply another chance to walk out into and see the world?

Part of the scatter. With a bonus view of a piece of my step-sister Anne's pottery.

Part of the scatter. With a bonus view of a piece of my step-sister Anne’s pottery.

Page-turning (and occasional page-slicing) ensues. I work my way through this marvelous decade+ of expression, getting sidetracked sometimes by a flash of insight, an apt phrasing, a shiver of recognition.

It is just as I suspected – there’s no ringing out of old or in of new; these years (and others) are fused as neatly as uncut pages. I draw my knife along one joined set, pulling its edge smoothly, carefully toward me; the pages part. I set aside the knife, and begin to read as 1854 becomes 1855.

Both days are river-days, which is to say too they are outside days:

Dec. 31. P.M. — On river to Fair Haven Pond.

Jan. 1. P.M. — Skated to Pantry brook with C.

And one offers a near-ecstatic wheel of color, a feast for eyes. The other has a slightly grumpy tone. Sounds like the present, like everyday life to me.

Here is each in its entirety:

1/31/54: On the river to Fair Haven Pond. A beautiful, clear, not very cold day. The shadows on the snow are indigo-blue. The pines look very dark. The white oak leaves are a cinnamon-color, the black and red (?) oak leaves a reddish brown or leather-color. I see mice and rabbit and fox tracks on the meadow. Once a partridge rises from the alders and skims across the river at its widest part just before me; a fine sight. On the edge of A. Wheeler’s cranberry meadow I see the track of an otter made since yesterday morning. How glorious the perfect stillness and peace of the winter landscape!

1/1/55: Skated to Pantry Brook with C. All the tolerable skating was a narrow strip, often only two or three feet wide, between the frozen spew and the broken ice of the middle.

Just so life: one day stopped with exclamation; another day threading the tolerable between the spew and broken ice. Always present.

Best wishes to you for the immediate.

IMG_0994

Finding Thoreau in Suburbia

By Corinne H. Smith

I was invited to a holiday dinner by a pair of new friends. They live in an expanding housing development that just a few years ago was still a field standing tall with corn. They gave me explicit directions to their townhouse. I was to follow Elmcrest Boulevard to Cobblestone Drive and then their street, Oak Leaf Drive. If I reached Field View Drive or Green Park Drive, I would have gone too far.

Although I had seen this neighborhood from a distance, I had never driven through it. I already suspected that I would see neither elm trees nor oak trees, and that I would not be able to drive or walk on cobblestones. And the “field view” wouldn’t be of a “green park.” It would offer the pleasing sight of endless garages and rooflines, or of mud and machinery and of other houses being built to fill in the empty spaces. I knew I wouldn’t like it. But if this is where these folks wanted to live, so be it. They were my friends, and they were nice enough to invite me to dinner.

When the time came, I made my way to the entrance of Elmcrest Boulevard. It wasn’t as grand as it sounded. And it had nary a straight stretch. Not even one inch. It wound through the place like a drunken sailor: first this way, and then that. Other cross streets turned off at each bend. I drove slowly and focused on the names on the signs, hoping to finally spot Cobblestone Drive. But when Emerson Drive showed up on my right, I started laughing. Really, THE Emerson? Ralph Waldo Emerson? Here in suburbia, almost 400 miles away from Concord, Massachusetts? I glanced at the clock. I had time. I could inspect how Mr. Emerson’s legacy was interpreted here. I made the turn onto Emerson Drive.

development

As I suspected, both sides of Emerson were filled with houses that were too close together. They were neat and tidy, and they all looked the same. Then Alcott Drive turned off to the left. I laughed again. I could picture poor Bronson shaking his head at the sight. The next left was Thoreau Drive. Of course! It had to be. I turned left. Here I was, driving along Thoreau. It looked just like Emerson and Alcott. Interpret this statement as you will.

 

Obligatory stop at junction of Emerson and Thoreau

Obligatory stop at junction of Emerson and Thoreau

The literary theme continued. The streets leading off Thoreau were James Way, Dickens Lane, and Hemingway Lane. Then Emerson showed up again. It had circled around behind the rest. I turned left to get back to where I needed to be. I expected to see Alcott Lane again on my way back. But no. Hawthorne Lane had sneaked in ahead of Alcott. It turned out that Alcott and Hawthorne twisted around each other here. Interpret this statement as you will.

Emerson Drive soon became Walden Way. Really now, this was simply too much.

develwaldenway

But to the developers’ credit, the road was just a short pass-through back to Elmcrest Boulevard. The only structure on Walden Way was a common building that fronted a pool and a series of tennis courts. Behind it loomed a small but muddy retaining pond. Once I passed these, I could make a turn and get back to where I needed to be. It took only a few minutes more to find my friends’ house.

 

Walden water?

Walden water?

The dinner was great, and so was the conversation. We all ate too much. Soon the sun dropped behind the bulldozers parked behind my friend’s backyard. Clouds moved in. I thanked my hosts for their hospitality and headed home.

It wasn’t too dark yet. So I followed the Transcendental route again, this time in the opposite direction: Walden Way, Emerson and Thoreau, with a glance at Hawthorne, Hemingway, Dickens, James and Alcott. This time, I took pictures. I almost wanted to know who had named these streets and why. Were the choices meant as a true tribute to the authors? Or were they merely names to fill up signs? Did the residents know who their streets were named after? I was torn between feeling validated in my love for these writers and being appalled.

And even though it would be a great address to have, I knew I would never want to live along this version of Thoreau Drive. I’d rather live in a house on a street that’s older than me. One that has some character in its framework, and with mature trees towering over it. Many years will pass before you will be able to say this about my friends’ neighborhood. (If ever.) Still, such a discovery allows us a chance for a vicarious visit to the legacies of the Transcendentalists, in a place you’d never expect to find them.

Whether they’d be gratified or not, it turns out that the Transcendentalists are everywhere.