Category Archives: Arts

New York Erases Concord’s Preeminent Pencil Past

by Richard Higgins

Few will forget that last year at this time New York told us that Henry Thoreau was really a cheerless curmudgeon and hypocritical scold with the heart of Ted Kaczynski and the writing ability of Bronson Alcott. Many were astonished that the Thoreau Society had somehow missed this for this 75 years.

Now from New York comes another October surprise, this one from the Times, not the New Yorker. Also overlooked by Thoreau and Concord partisans, it recently announced, is the fact that the pencil capital of 19th- century America was–drum roll, please –New York City! Who (beside Kathryn Schulz) woulda thunk it?

I will not play fast and loose with the facts (unlike some writers), so I will corroborate. On Tuesday, October 11, 2016, a metro column in The New York Times began:

New York Today: Our Past in Pencils
BY ALEXANDRA S. LEVINE

“With school back in full swing (except for all the days off recently), let’s sharpen our knowledge of New York history.

Today’s lesson: How our city was once the capital of pencil manufacturing in the United States.

It further stated that New York in 1861 had, and I quote, “one of the country’s first lead-pencil factories.”

Now, are we who are in the know going to savage the author of this ridiculous claim with vicious personal attacks? Of course not. Concord people are decent and forgiving. Ms. Levine is probably a sincere and lovely person in addition to being a criminally inept reporter.

As everyone else knows, Concord had sophisticated and productive pencil factories while raw sewage still flowed on New York streets and no one dared venture into the raving wilderness above Wall Street.

Here, Ms. Levine, not to put too fine a point on it, are the facts:

The first wood pencils in the New World were made in Concord in 1812 when William Munroe invented a machine to cut and groove wood slats and filled them with a graphite paste. Fifty-nine (59) years later, in 1861, Eberhard Faber built what the Times calls the first “large-scale” pencil-making factory, in New York. Munroe’s shop was primitive by comparison. However he produced 175,000 pencils in 1814, only two years after starting, and five million pencils in 1835 alone. Sounds large-scale to me.

Munroe Pencils photo: Wikipedia

Munroe Pencils
photo: Wikipedia

Munroe was soon joined by a cluster of prominent pencil makers in Concord and surrounding towns, including Ebenezer Wood (Acton), Joseph Dixon (Salem), Benjamin Ball (Harvard) and, most famously, in 1821, the father of the humorless misanthrope, and then the insufferable sourpuss himself. It was partly because of Henry Thoreau’s involvement that Concord led the pencil industry in the United States into the 1840s. At that time, Thoreau pencils were among the most sought after in the country.

Finest Pencils photo: Wikipedia

Finest Pencils
photo: Wikipedia

Concord pencils apparently were even admired in New York. In a family history, Munroe’s son wrote that some of his father’s less principled competitors illegally slapped Munroe labels on their stock. “One merchant in New York”—that putative pinnacle of all things pencil—“sold German-made pencils with ‘W. Munroe’ on them as illegal knock-offs.” No names mentioned, but just noting that Eberhard was from Bavaria.

The question then is: What makes one pencil-producing city the pencil capital of a nation? The quantity of cheap pencils turned out? Probably not. Would not innovation and quality be better criteria?

If so, honors must go to 01742. Here’s why:

Concord pencil makers early on mixed graphite with wax, spermaceti and other substances. All worked but had drawbacks. The French were the only ones who knew the right recipe. Nicolas-Jacques Conté invented the modern pencil lead in 1795 by mixing graphite with clay—but he kept the formula a strict secret. Henry Thoreau decided to find the perfect graphite mix on his own. After researching it at the Harvard Library in 1840, he hit upon the idea of using clay—rediscovering what the Frenchman had figured out 45 years earlier. The result was a pencil lead that was harder and darker than any his family had made.

Thoreau also designed a machine to grind graphite better and another one to drill a hole lengthwise through the wood slats so the lead could be slid inside. The only reason the Thoreau family got out of the business was that the right recipe soon became common knowledge, resulting in stiff competition. The Thoreau’s wisely abandoned the pencil business in 1853 for a more profitable one: selling powdered graphite (“plumbago”) for use in electrotyping.

Having now settled this matter, to be fair I should point out that when I gently informed Ms. Levine by email of her error, she was the soul of grace. She apologized and promised a correction. I thanked her and said having at least one of these October misrepresentations corrected would set many local minds at ease. Her reply was not encouraging. She was off to her next story. New York workers, she said, have found the exact spot where the original Concord grape grew in Central Park.

Writer and editor Richard Higgins lives in Concord. University of California Press will publish his Thoreau and the Language of Trees in March 2017. He may be reached at rihiggins@comcast.net.

One Honest Walk

By Corinne H. Smith

I left Concord, Massachusetts, Wednesday morning, September 25th, 1850, for Quebec. … I wished only to be set down in Canada, and take one honest walk there as I might in Concord woods of an afternoon. ~ Henry Thoreau, in his opening paragraph of  A Yankee in Canada.

Henry Thoreau and Ellery Channing made their Quebec trip at first by train and by steamer, and then took to the roads. Early this month, I joined a group of Quebecois and Americans to follow part of their walking path by car and on foot. The two-day outing was organized by Jacques Delorme and Jean Cloutier of Groupe de Simplicite Voluntaire de Quebec. We started in old Quebec city and ventured out into the countryside to the east, just as Thoreau and Channing did back in 1850. Along the way we saw many of the same sights, and we seemed to be truly following in their footsteps. Here is a short report to connect both trips.

As he rattled along the rails heading north, Thoreau “botanized” from the train. He noticed the woodbine, or Virginia creeper, turning its brilliant autumn red. It hung on trees “like a red scarf,” he wrote. “It was a little exciting, suggesting bloodshed, or at least a military life, like an epaulet or sash, as if it were dyed with the blood of the trees whose wounds it was inadequate to stanch.” Since this is one of my favorite natural observations from Thoreau, I made a point of searching for Virginia creeper during this visit. I wasn’t disappointed. The vine twirled around trees in the forests of the Adirondacks of New York. It rested on and took over fences in Canada. It hung from maples in Quebec, just as it had in Henry’s day. It is still here, still turning its signature maroon and crimson.

Virginia creeper on a tree in the Quebec countryside.

Virginia creeper on a tree in the Quebec countryside.

Like Thoreau and Channing, we toured old Quebec city. We saw the 1759 battle site of the Plains of Abraham, the citadel, the old city hall, the Wolfe-Montcalm monument, a few museums, and many other buildings and streets that Thoreau and Channing either saw or walked past. We three Americans kept saying to one another, “You know, we’re not that far from home. And yet it feels as though we’ve been transported to another place and time.” We meant this in a good and interesting way, of course. Thoreau must have had similar feelings. He wrote that after only two days of travel, “We were taking a walk in Canada, in the Seigniory of Beauport, a foreign country, which a few days before had seemed almost as far off as England and France. … Well, I thought to myself, here I am in a foreign country; let me have my eyes about me, and take it all in.” The trouble is that Quebec offers too much to take in. You can’t see everything at once, or even at all.

The citadel rampart and the city beyond.

The citadel rampart and the city beyond.

We left the city and walked east along present-day Avenue Royale, the same road that Thoreau took into the countryside. We passed homes that were built of native stone in the mid- to late 1600s. Most had old family-owned stone root cellars built right into the hillside. We were lucky: we had reservations to stay at local inns for the night. But Thoreau had difficulties finding a place to sleep, since he saw no public houses along the roadway. The language barrier was part of his challenge, too. The home where he and Channing finally ended up belonged to Jean Baptiste Binet and his wife, Genevieve. “We here talked, or murdered French all the evening with the master of the house and his family, and probably had a more amusing time than if we had completely understood one another,” Thoreau wrote. At bedtime, the men had to climb up to a high chamber with a wooden rail around it to reach a bed outfitted with linen sheets. Although Quebecois researchers disagree on the exact Binet house that Thoreau stayed in, they say that one of the prime candidates is a building that operates today as a Mexican restaurant called Senor Sombrero. We stopped here to take a peek and to imagine the past.

The former Binet home where Thoreau may have slept overnight.

The former Binet home where Thoreau may have slept overnight.

As we continued on, we passed pick-your-own orchards with long lines of cars waiting for spaces to open in the parking lots. Random apple trees stood right next to the road, just waiting for passers-by to reach out and to grab a few samples for themselves. Apple-lover that he was, Thoreau took note of the trees here, too. “There were plenty of apples,” he said, “very fair and sound, by the roadside, but they were so small as to suggest the origin of the apple in the crab.” Later, when he and Channing walked on to Sainte Anne, someone brought them more apples. “They were exceedingly fair and glossy, and it was evident that there was no worm in them; but they were as hard almost as a stone, as if the season was too short to mellow them. … I declined eating one, much as I admired it.” And so he turned away from Quebec apples. Our own Henry Thoreau (aka historical interpreter Richard Smith) did not decline the opportunity. He and some others took a few bites of fruit. I did not imbibe. Those who did said they were good but that they leaned toward the tart or sour side.

Our own Henry Thoreau, historical interpreter Richard Smith, picking a roadside treat.

Our own Henry Thoreau, historical interpreter Richard Smith, picking a roadside treat.

In crisp autumn sunshine, we walked between the hillside and the St. Lawrence River, where the natural geology makes for stunning waterfalls. The most spectacular ones are Montmorency Falls (Chute Montmorency) and Canyon Sainte-Anne. Thoreau and Channing scrambled around and admired both of these falls. Of Montmorency, he wrote: “It is a splendid introduction to the scenery of Quebec. Instead of an artificial fountain in the square, Quebec has this magnificent natural waterfall to adorn one side of its harbor.” Today both sites offer somewhat sturdy bridges so that visitors can walk above and over the falls. They can’t help those of us who have issues with heights, though. I wouldn’t have gotten over the Montmorency bridge without the support of several members of our group, for which I was grateful. I tackled the one at the canyon on my own – twice! both over and back! – but I did so on tiptoe, tentatively and gingerly, and without looking down at the water. I had to do it because I knew what lay ahead: the replica of the Walden house that had been built here years ago. Local people knew that Thoreau made his visit in 1850. The spot where you can first view the full length of the falls is now marked with a house built to Thoreau’s specifications. This was our final destination on this trip. Those of us who succeeded in reaching the house got signed certificates to show for our efforts.

Successful saunterers at the Walden house replica at Canyon Sainte-Anne, October 2, 2016.

Successful saunterers at the Walden house replica at Canyon Sainte-Anne, October 2, 2016.

“I fear that I have not got much to say about Canada, not having seen much; what I got by going to Canada was a cold.” ~ The opening sentence of “A Yankee in Canada”

What we got 166 years later were good photographs, great stories and memories, and a passel of new friends. Oh, and something else, too: an invitation to come back next year and to take this honest walk once again. Well, you don’t have to ask us twice. We’re in! Does anyone else want to come along?

The author, Mr. Thoreau, and walk organizer Jean Cloutier.

The author, Mr. Thoreau, and walk organizer Jean Cloutier.

[Photos by Mary Lynn Brannon and Corinne H. Smith]

Looking Upstream – Mary Oliver’s New Book Arrives

To read well, that is, to read true books in a true spirit, is a noble exercise, and one that will tax the reader more than any exercise which the customs of the day esteem. Thoreau, Walden

During one of my middling lives, I edited a semiannual journal, and, in the midst of my ten-year stint with the blue pencil, I received a great gift. It arrived as part of a note in reply to one of mine: “Yes,” the note began, “I would be happy to contribute a poem to your journal.” That poem became the first of many, and later they were joined by some short essays, encounters with weather and light. How often does an editor get to publish his favorite writer?

As celebration of the coming of Upstream, Mary Oliver’s newest book of essays and “other writings,” I have in mind a little story. And so I went looking in the bins of the past, where I keep some notebooks and correspondence. Much of what I remember from those days seems random or episodic, but I do have these few bins, and I recalled their containing both a student journal and, perhaps, a letter. So I went looking.

There, easily found, was the journal, a series of reflections from a Thoreau-anchored course called Reading the Land that I taught one fall during the 90s. SA, a meticulous student, had typed her entries, and I began to scan them for the one I wanted. Late in the semester, we had been reading Oliver’s West Wind, and one of the poems had recalled for SA some family summer time in Wyoming; specifically, she had twinned a climb of a mountain with reading an Oliver poem and called them both “experiences” that had left her awed. I was looking for that entry.

I found all the others, set neatly in order, and I read few, reflecting back on the privilege a teacher has in seeing into the minds of others, learning fresh perspective, experiencing other worlds.

But the entry I’d recalled was missing, and that absence triggered a second memory. Where was it? Ah, yes, now I remembered: I’d sent it on to the poet herself, thinking that she would be pleased to have a reader who found “experience” equally on the mountain and in her poem. Who wouldn’t want such a reader? I’d reasoned, and I’d been right.

A week passed, and then a letter arrived. In the Courier font she favored, Oliver said that SA was the sort of reader she hoped for, a reader who found a poem much more than an intellectual exercise, or a few moments with a grouping of words. SA had entered her reading of the poem as she climbed into and through a landscape.

I was glad I’d sent the original.

In a few days, I’ll go to my local bookstore and get my ordered copy of Upstream. And then I’ll settle in to reading it, and I will go slowly upstream and through landscape. It will be, I know, an experience.

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