Category Archives: Arts

A Singing Bridge

By Corinne H. Smith

July 11, 2015, 6:30 a.m. North Bridge, Concord, Massachusetts.

I was due at Walden Pond at 7 a.m. to lead the annual silent Memorial Walk during The Thoreau Society Annual Gathering. I had fifteen minutes to spare before I had to pick up a fellow walker at her hotel. So I headed over to my favorite place in the area: the North Bridge.

Thankfully, the hour was too early for tourists. And the timing must have been off for joggers or dog-walkers too, because I had the place blissfully to myself. Or, I should clarify: I was alone, only as far as fellow humans were concerned. Once I tiptoed to the crest of the bridge, I was instead surrounded by birdsong.

Looking down the river

Looking down the Concord River at dawn

The usual little brown chatterers were perched in the tall trees by the riverbanks. A catbird mewed from the thicket. A pair of red-wing blackbirds chased each other through the marsh on the opposite shore. Pigeons cooed from underneath the bridge boards. Every few seconds one of the pigeons would whappity-whap-whap to one of the other wooden posts below.

Looking up the Concord River at dawn

Looking up the Concord River at dawn

As I had hoped, the clear and cloudless sky made for a beautiful scene. My favorite scene. One so full of peace that it confounded me to think that the Revolution started here with weapons, confusion, gunshot, injury, and loss of life.

It was at this hour on the morning of April 19, 1775, that the colonial minutemen gathered in anticipation on the other side of the bridge. The red-coated soldiers would soon arrive in Concord from Boston, after having exchanged shots with the minutemen lining the road in Lexington. The paths of the two groups would cross here in about three hours. What happened would eventually be described by Ralph Waldo Emerson as “the shot heard ‘round the world.” Had the birds been singing on that morning, too?

I looked downriver, to the right. The Concord was beautiful. I looked upriver and toward the Old Manse boathouse, to the left. Suddenly I realized that a heron was fishing along the far shoreline, just beyond a bit of rising mist. I hadn’t noticed it before. I had had too much history on my mind.

Heron fishing

Heron fishing

Still, the birds sang, all around me. After a quick look around to make sure there were no further witnesses, I decided to join them. I chose the chorus from the John Denver song “Summer,” which I thought was one of the most transcendental sets of lyrics he ever wrote:

“And oh, I love the life within me,
I feel a part of everything I see.
And oh, I love the life around me,
A part of everything is here in me.
A part of everything is here in me.
A part of everything is here in me.”

Most singing bridges come with decks of metal grates that make automobile tires “sing” when they travel across them. This morning I changed the definition to include this other kind of singing: vocal, not physical. I sang the chorus several times, getting louder with each one. The heron must not have been a John Denver fan. When I looked back to the far shore, he was gone.

Still, I have a sense for what Henry David Thoreau may have thought if he’d been able to look down from this “rude bridge” and see the reflection of the morning sky in the Concord water:

“Heaven is under our feet, as well as over our heads.”

The Concord is an impressionist river, reflecting both trees and sky.

The Concord is an impressionist river, reflecting both trees and sky.

 

On Regard of Self Rather Than Self-Regard

As noted in our previous post, summer’s central month always makes me think of Henry Thoreau settling into his “experiment” at Walden. There must have been a pinch-me feeling to awakening pondside to the birdsong and early light.

I often wonder what Henry Thoreau would make of our era-of-the-selfie. We know from the outset (page one) of Walden, Thoreau was no stranger to himself, to the sort of self-examination that’s needed to figure out how to live. He warns us of his upcoming centrality in his book with these words: “I should not talk so much about myself if there were anybody else whom I knew so well. I am confined to this theme by the narrowness of my experience.”

But the picture of him that forms as one reads is not a face smiling for his own camera; rather it’s more of praise song for life’s particular possibilities and gifts, as lived by one person with an inclination for the universal.

Thoreau goes on to offer requirement: “Moreover, I, on my side, require of every writer, first or last, a simple and sincere account of his own life…some such account as he would send to a kindred from a distant land.”

Here then, in that and summer’s spirit, are a few postcards from my distant land to something other than my face. If I were to take a selfie, it would be of my legs, to be used as illustration for a card of thanks.

Postcard Paeans (to My Legs)

Today I propose
an amble, a walk, a
run; today let’s be
away. Let’s lope
to the e
that joins us,
let’s match motion
with its e,
and let’s fete e’s
very way across
this day.

Bear with me or simply
bear me up this little
rise I can’t quite see
over. Every day
I ask, every day
you unbend
set me
upright,
then
on.

Legs-eye View

Legs-eye View

Two
of you
for one
of me that
seems rich
seems offer
of more
hope
than
hop.

And there’s this: hope
that the strung
muscle holds
its tune
permits ongoing
twoness and
keeps cadence
with motion’s
song.

Declaration

Two years, two months, two days.
Henry Thoreau was wary of symbols

thoughts and things that go two
by two into the ark of the mind.

And when he took time off, absconded
with it to the pond on July 4th,

1845, he scoffed at those who saw
declaration of independence, in truth

he might have said, I am more
dependent than ever, on this pond

on this earth, on these feet, not
to mention the sky that shines

in the water, a medium really
for seeing up and down, for

seeing two ways at once, a unity
upon which I row my boat and

in which I bathe every day.

Walden water

Walden water