Solstice Dance

Solstice – In The Long Light of the Journals

The light woke me before five this morning. Often, these days, it’s the birds, whose singing begins with a single fluted call just after four; that call garners response. Then, the avian neighborhood joins in. But today, appropriately, it was the light, which seemed intent on my living the fullness of this “longest” day of the year. I got up, brewed some coffee and went to a morning chair to read.

Through these days in 1855, Henry Thoreau was also making the most of the long light, spending hours out and about, and, for the most part, recording only the nests he observed in short journal entries. These days form a skein of regeneration: as the light peaks the whole world seems to be rising and chirping from its many cupped circles. Young birds break from their eggs, squall for food, fledge finally, and Henry, as he walked, must always have been looking up. A whole sky alight suggested as much.

But one day, the 18th, on his way to or from The Hemlocks, Henry catches motion on the ground. First one, then another, painted tortoise appears: “I saw a painted tortoise just beginning its hole; then another a dozen rods from the river on the bare barren field near some pitch pines…I stooped down over it, and, to my surprise, after a slight pause it proceeded in its work, directly under and within eighteen inches of my face.” For long minutes Henry stays still in this “constrained position,” watching, as the turtle digs her hole and lays five “wet, flesh-colored” eggs. His description is typically precise, satisfying, and now, this reader thinks, it’s time to rise from this cramping crouch and move on. Perhaps to the next local miracle.

From Henry's Point of View

From Henry’s Point of View

Henry, however, stays; I stay too. And I am rewarded with a recovered favorite image, a dance of completion that seems just right for the days of maximum light:

After these ten minutes or more, it without pause or turning began to scrape the moist earth into the whole with its hind legs, and, when it had half filled it, it carefully pressed it down with the edges of its hind feet, dancing on them alternately, for some time, as on its knees, tilting from side to side, pressing by the whole weight of the rear of its shell…The thoroughness with which the covering was done was remarkable. It persevered in drawing in and dancing on the dry surface which had never been disturbed long after you thought it had done its duty, but it never moved its forefeet, nor once looked round, nor saw the eggs it had laid.

Painted Turtle Laying Eggs

I put the journal down. I have seen such dancing, for me snapping turtles crawled up from a nearby bog. Now the image is fresh again, a dance of the solstice lit by the long day of Henry Thoreau’s writing.

Heat, Humidity & Henry (Or: In Touch with the Past, Part II)

By Corinne H. Smith

Yesterday we had one of those hot and humid days. Ick. You know the kind. Not only was it darn uncomfortable just to sit around and breathe, but it also caused every hair on my head to curl in a different direction. Neither cap-wearing nor combing could remedy the situation. And the hot and humid day turned into a hot and sticky night. The occasional whiffs of air from an open window didn’t do much to cool off the bedroom. I couldn’t get to sleep.

After two hours of just lying there, I decided to get up and to get some work done instead. I might as well be productive, as long as I was awake. I fired up the computer and got out some of my Thoreau books. I wanted to scan his journal for references to a plant I had found in our yard. I hoped Thoreau had seen and felt the same way about it that I did. I had hoped to write a post here in response to whatever he had written.

I opened the first of my two-volume Dover set: a reprint of the 1906 journal volumes that Sandy Stott mentioned in his recent post, “In Touch with the Past” (https://thoreaufarm.org/2014/06/in-touch-with-the-past/). These books are slightly more portable, take up less room, and contain the same text as the ones Sandy uses. But all I found were Henry’s glimpses of the plant, and some of the dates when he saw that it had blossomed. I wanted more details, more substance. This time, he wasn’t forthcoming. I sighed. This particular subject wasn’t going to work. What was I going to write about instead?

Then I stumbled upon this entry:

“June 21. … The warmest day yet. For the last two days I have worn nothing around my neck. This change or putting off of clothing is, methinks, as good an evidence of the increasing warmth of the weather as meteorological instruments. I thought it was hot weather, perchance, when, a month ago, I slept with a window wide open and laid aside [it] a[s] comfortable, but by and by I found that I had got two windows open, and to-night two windows and the door are far from enough.” ~ June 21, 1853

No Matter How Many Windows Open...

No Matter How Many Windows Open…

I shook my head. Here we were, sharing the same discomfort, across the span of 161 years. No matter how many bedroom windows we’ve opened, they’ve done nothing to bring us relief. The times, they are not a-changing. This painted a picture of Henry Thoreau that I had not thought of before. The naturalist, the writer, the surveyor, the saunterer, the philosopher? Sure. Someone who lies awake on a steamy summer night and considers the relationship between the rising temperatures and how much clothing a person is wearing? No. But it’s certainly an interesting image. Then again, what else could he do under the circumstances? He didn’t have a computer for entertainment, where he could check his e-mail and what his Facebook friends were doing at midnight.

Alas, Henry. I suspect we will have more of these unbearable and sleepless nights in the next three months. I’ll think of you again whenever the act of opening two windows and a door isn’t enough to cool the bedroom.

Songbirds at Creekside

By Ashton Nichols

The songbirds here are like nothing I have ever seen or heard, not when I lived in Virginia, or West Virginia, Maryland, Alabama, or London, England, or even at other locations in Pennsylvania. Bluebirds, scarlet tanagers, goldfinches, orioles, and more: the colors bust out like tiny sprays of rainbow, as bright as the sun, as clear as the sky. The songs are trilling and cool, thrilling and crackling, burbling and cackling. It must be that the wooded two-acre forest edge of our small Creekside farm creates a much-needed roosting and feeding spot in the middle of the wide-open swath of cultivated farmland that surrounds us here.

Bluebird

Bluebird

In his chapter in Walden entitled “Sounds,” Thoreau speaks of the birds close by on numerous occasions: of the birds who “sing around or flitted noiseless through the house,” while Henry sits in his “sunny doorway from sunrise till noon, rapt in a reverie, amidst the pines and hickories and sumacs.” Or he tells of the nearby tree branch that is “bending under the weight of the reed-birds flitting hither and thither,” of the sad sounds of the screech owl that remind him “sometimes of
music and singing birds; as if it were the dark and tearful side of
music, the regrets and sighs that would fain be sung,” and finally of the cockerel, our common rooster, which was once a wild pheasant–“This foreign bird’s note is celebrated by the poets of all countries along with the notes of their native songsters.” Thoreau is often wondering at birds of Walden Pond.

Here at Creekside, we are in the midst of several thousand acres of open space that stretch out to the east and to the west along the center of the Great Valley, with the North Mountain off in one direction and the much older South Mountain off in the other. This South Mountain, which rises near Mount Holly Springs, is renamed the Blue Ridge when it reaches West Virginia and Virginia. According to my geologist colleagues, it is one of the oldest mountain ridges in the world, almost three-quarters of a billion (750,000,000) years old. There were once mountain peaks here that rivaled the five-mile-high Himalayas, but they have been eroded and worn down over millennia to their current 2,000-2,500 foot height.

The wide-spreading oxbow of the Conodoguinet Creek twists its way through the valley here, with huge tree-filled circles, open plowed spaces, and scrub brush fencerows. There are lots of wide spaces of land with few trees at all, no trees for roosting or food spotting, no nesting holes or tree-close clearings for wild mating dances. So the songbirds come to our exceptional and unusual two-acres of Creekside trees; these birds come in their dozens: no, in their hundreds. On some mornings there are too many separate songs to count, too many different body styles to keep track of, and too many various feeding habits to follow.

Oriole

Oriole

The oriole is by far the most startling of these songbirds, a veritable clown-bird, with a bright orange-yellow color that is just as bright as the brightest of Halloween pumpkins, then suddenly saturated with black stripes and splotches spread between the yellow-orange outbursts. Next come the bluebirds, not so much sky-blue as some secret Mediterranean blue or ocean blue–known only to world travelers–always one pair of these bluebirds at least, nesting in the small bark-sided bluebird nest tacked to the northwest side of the house. The male bluebird always perches out alone on a stalk of paradise tree that rises out of the abandoned fire circle, an overgrown scrub spot in the middle of the lawn.

Tanager

Tanager

Then suddenly, the scarlet tanager flashes brightly, so brightly it is hard to believe this is a natural color, and then a third bluebird, and just as quickly comes a songbird’s call that I have never heard any version of, a new sound: fluty and liquid, delicately musical and very wild at the same time. And always, of course, there are swifts and starlings, blackbirds and sparrows, flycatchers, mockingbirds, and blue-jays, and even a massive red-tailed hawk roosting and hunting small mammals from the tall locust trees in the small woodlot behind us.