Category Archives: Literature

Proposal – A Day without Light (but one)

In this season of disturbed day and night, I’ve found necessary reading, stories whose thin lines keep reaching toward the world I want to live in, the one I do, even as the news and those who make it try to wipe that world away. The stories are the poems of Kate Barnes, and I have come to them through recommendation from the Gulf of Maine, our local bookstore, itself a kind of kin to the fish that keep swimming upstream to spawn. “Try this,” the owner, a poet himself, said one day, and handed over Crossing the Field. I looked at its handsome woodcut cover, weighed its thinness, and thought, I might even finish this.

For some weeks it sat where most new books do – on my desk in a stratigraphy of enthusiasms. One recent morning, as I sought my coffee-reading to prepare my mind for the day’s words, I saw its blue cover peeking out of the pile, and I unearthed it, carried it to table. I noted, as I always do, its birthdate – 1992 – and turned to page one:

Coming Back

Coming back to my own countryside, I find
the farm again. It is night. Under this wallpaper
of willow leaves and birds, I know there is
an old one with loops of small roses…

No pyrotechnics; rather, a quiet insistence on what return allows, how knowing is layered, and that we live there too, below its surface. Barnes, the daughter of poet Elizabeth Coatsworth and writer Henry Beston, isn’t after easy narratives in her poems; she is 60 when they are published and worn by life’s abrasions, not the least of which is her father, who, fittingly, it seems, renamed himself Beston, by the stone, when made fun of for being “a mick.” But reading her poems is akin to coming on a clearest stream in woods you thought you knew, and then, looking up and seeing with washed vision.

All of this is prelude to a proposal: recent poems I’ve read have been lit – in this corner or that – by fireflies. Yes, they are out of season, but winking light, easily construed as hope, is not. So here, in a spirit of rising light that Kate Barnes and Henry Thoreau might approve, is my proposal:

On January 20th, 2017, when we pass into a new government that I see aligned with darkness, let’s turn off all the lights but one in all of our houses and workspaces. A Day without Light (but one) would recognize and protest a president who seems without spirit and compassion, and it would leave burning resolve and hope to see and then work through this period to a different day. It would be quiet, real, and yes, if enough of us did it, effective.

I don’t know Barnes as well as I know Thoreau, but I think each, both, would nod, yes, and go about that day as a single light.

Added note: I don’t do this, but I’d like to see if this seed-idea can grow, so please share widely if you too would like to see that. Each one of us can be that single light too.

"There is more day to dawn." Thoreau, Walden

“There is more day to dawn.” Thoreau, Walden

“There is more day to dawn.” Thoreau, Walden

Times

I am thinking today of people who live in terrible times, when whatever good we summon or create in our daily lives gets threatened by the bile we and others also harbor. And so it’s no stretch to think of Henry Thoreau living in the 1850s a decade crawling with evil and aimed surely at civil war. And I think of his huge, complex mind and attendant spirit and wonder how he rose each day to work to write to walk without being washed away by sadness. He could see so much. What sustained him?

I ask myself this question on a day similarly riven, when I feel split from country and future, when my imagination’s gone quiet before despair, when my quiet belief in innate decency fails. I didn’t go to work today; it seemed so beside the point. But after a day of sitting here, I’ll have to get up and go…where?

Well, yes, there to the work I’ve committed to and I’ll keep at it as compact with self and known others. Its daily motion will be salve of a sort.

These few days in and on, I know I will also return to personal struggle with despair. How to go at it? Thoreau sought both to address his time’s evils and live a life with joy at its center. He did not turn or hide away – he looked directly at slavery in its many forms, from primary evil to enslavement of self. In many ways, he even tugged apart some of the nature he revered – to know it, understand it, perhaps, sometimes, to change it (at least the human part). And still, as he walked out into the world each day, he brought and found reverence.

Afoot in the forest

Afoot in the forest

Early in his writing, in the essay, The Natural History of Massachusetts, Thoreau set down what sustained him throughout:

Surely joy is the condition of life. Think of the young fry that leap in the ponds, the myriads of insects ushered into being on a summer evening, the incessant note of the hyla with which the woods ring in the spring, the nonchalance of the butterfly carrying accident and change painted in a thousand hues upon its wings, or the brook minnow stoutly stemming the current, the lustre of whose scales worn bright by attrition is reflected upon the bank.

It is no small feat to be a keen analytic intelligence, stern moralist and giddy walker. So much encompassed in one being.

I am no Thoreau. But I must try to walk like him.

Afterwalk After Workshop

Forethought: Perhaps you have had the good fortune to be part of a workshop that morphs from being a meeting of strangers to a gathering of kindreds in short order. I’m not, as is probably true for many who meander along Thoreau-like trails, much of a joiner. The singular is simple and simple is often single; in Walden the “I” is prized. But there are times…when gathering feels and looks like striking flints together near tinder; sometimes the room lights up. These thoughts then for the group of 15 writers who took up residence at the Appalachian Mountain Club’s Cardigan Lodge for the weekend past (and even, fleetingly, for the 30+ middle schoolers who ricocheted around the place as their elders weighed words).

The mountain that watched it all.

The mountain that watched it all.

On Monday, after our writers’ workshop weekend, I returned to the Cardigan region, in part so I could meet a morning appointment the next day in nearby Concord, NH. But I also felt drawn by the pleasure of the receding weekend, in the way that you may hope to revisit a place where good things happened for you. In early afternoon, I arrived in the little valley that’s one ridge over from the lodge where we met, and the morning’s clouds were thinning, winging off before a fresh northwest wind.

Even during my approach to the valley, it was clear that the weekend’s early snows had melted; only an unbalanced eyebrow of white bristled here and there in the light on Cardigan’s dome. Unpacking took two minutes, and then one of the weekend’s centerpoints reappeared: “Time for a walk,” a composite voice said. “Yes, a walk,” I answered. “Yes.”

That Walk

In the short interim, hunting season’s begun, and so, after dressing in loud, or as it’s advertised, “blaze” orange  vest and thickspun hat, I set out on a 5-mile loop that high water had made unavailable to us just two days ago. The loop ambles up our little valley until it bumps up against a trail called the Back 80 Loop; from there it’s just under a mile to the cellar hole at 1642 feet. That’s the same cellar hole that Allen, one of the weekend’s crew, visited during Saturday’s walk, and it’s also the highpoint of a walk my wife and I have taken for decades.

I wonder, as I walk, if Thoreau and his Concord friends ever gathered to read from unfinished work to each other? Not as in at the lyceum, or in other lecture formats, but from, let’s say, the 3rd draft of Walden, or, after walking, a round of hastily-scribed impressions. I scan my past readings and memory and find that I don’t know. Perhaps you do, and will send on answer.

Reaching that cellar hole returned me to the past – not the deep one, but the recent one: I was now walking in one of our writer’s footsteps. I turned downhill, and, a mile later, I arrived at the lodge. The afternoon light was such that the windows were opaque – who knew what or who was inside; maybe some of our writers – but the parking lot was empty. Just so, when you walk into the past: there’s possible return hidden behind the windows, but the parking lot says that time – and everyone who lives in it – have moved on.

Still, as I stood looking back up at the mountain – clear on this day – I was happy to return to place and memory at the same time. It was, I decided, a rare gathering of people who like (and are often loopy about) mountains approached one step at a time, a line of walking that’s kin to a line of words. Follow each, and at some point you look up and say, “O, look a that. Look where I am!”

Morning light on Cardigan

Morning light on Cardigan