Category Archives: Henry David Thoreau

Lion-eyes (a pun Thoreau might have liked)

At my request, Google feeds a few alerts into my daily e-mail; one sniffs about for Henry Thoreau; another tracks news appearances by mountain lions, including California’s famous, and now notorious, P-45, who, a week or so ago, did in nearly a dozen alpacas on a farm. Lions living in proximity to us will still be lions.

But my point in keeping this alert doesn’t lie in tracking celebrity lions; instead it hopes to have a finger on the slow pulse of lion dispersal, or recovery – you choose your word – in the lower 48 states. Once one of two of our country’s top predators, and so, controller, many would argue, shaper of a number of populations, lions were shot, trapped and poisoned from existence in most states by the early 20th century; the killers were the other top predator, one who doesn’t brook competition easily, if at all – us.

Recent print, though the nail-marks say, Dog.

Recent print, though the nail-marks say, Dog.

By the time Henry Thoreau was rambling a good deal in Concord, lions were long gone, as were many animals that we now take as usual or nearby – deer, bear, coyotes, even moose. But just as he tracked those with whom he shared woods, Thoreau also gathered stories of and imagined the missing, whose paths he only crossed on his ventures north, if at all.

But even in that north, lions were a cat too far. The few that might have been in deep woods, skirting, perhaps, the border were beyond Thoreau’s reach.

Lion.

Even the word is elusive. It may sit (or lie on) there in a sentence, sounding like some other word, lying to the ear, which would hear the snap of a paw-pressed twig, if it weren’t so soft-footed. That’s part of its presence: you never know it’s there, until it materializes before your eyes.

Or, if it has been lying in wait when you walk by, fully aligned in your own sentence, you may never see it at all. Then, it is lion’s choice – you, or some other ambler, maybe the deer you also didn’t see?

Here, little narrative tends toward confessional – when I go the woods each day, I imagine lions, even as I live in a state where they are, officially, not. But last year, a lion was found a mere 3 miles north of our border, and, as is true for many places ripe for lion’s return, sightings make their way in the papers and cloud wildlife officials’ pronouncements regularly: “There are no mountain lions in Maine.”

“But its tail was soooo long.”

We’ve had our first smattering of snow, an inch, followed by cold, and now as I run, I am layering prints on prints; it always surprises me how many beings have gone my way. To the side, the canid tribe has been doing the same. Dogs are known by their claws marks and the way their prints tend to be longer than they are fat. Lions leave opposite tracks – seemingly fatter than they are long, and without claw-marks. My ongoing survey as I run says, no lions…again.

Path of prints and leaves.

Path of prints and leaves.

Still, I cultivate the periphery…that’s where they’d be; I try to see sideways, even as I attend to the roots and rippled ground I run. And, because my mind conjures animals in a way it can’t summon theorems (for example), I sometimes shiver with awareness. I haven’t seen this lion, but I am live with its possibility.

And?

And?

Hearing a Voice

As is often true with reading, I hear a voice I’m clearly meant to listen to well after that voice has sounded; I am, as they say, late to the party. That surely was true for me with Henry Thoreau, whose then tangled sentences and habit of calling into question almost everything rolled my eyes as a teenager…just before they shut down in favor of the cinema that plays on the inside of our eyelids. That he would become a signal voice to me would have surprised my teachers, who often had to call me from the other-lands of reverie and classroom-sleep. I remembered that when I taught and had to use the gentle goad of my voice to recall my cine-dreamers.

These years later, I am a picky reader, in part because I am a slow one. If I am to spend time in the architecture of someone’s writing, I need to admire even the hallways, and I have particular need of the sudden light from a well-placed window. I pick up books, stroll some sentences and put them down; I even enjoy the mild irony that I too write little rooms that I hope readers will visit.

A while ago, as practice that I hoped would disentangle me from the internet as the yard wakened during my coffee, I began reading a poem or poems as I also tracked the bird-scurry by the feeder. Poets and birds often move similarly, and their words seemed to set up my own later in the morning.

Just so, right now. As the sun scrolls down the first-snowy pines, I read Kate Barnes’ “Other Nations,” a poem written first for another favored poet, Maxine Kumin. And, as has happened now for a number of days in a row, I disappear into its pages and lines. Barnes is a narrative poet – no sky of abstraction at which you gaze trying to name the shapes of clouds – who, late in this poem, takes you along for a buggy ride. Yes, it is, at times, horse-drawn poetry. But it moves at the pace of real perception – mine, anyways – and, when each ride is done, I am often elsewhere. Alive to the light, alive to the day, I’ve slipped the tether of the clicked world. I am alive to words and a voice that carries across time.

“Other Nations” is also about talking to animals, and, as my dogs over time would tell you, my canid diction may be limited, but I use it whenever a dog is near. And, like the good dog I sometimes am, I hear like voices across time.

Reader’s-note: I ration myself to a poem per morning; I will be well into winter before I look up from last page.

Bio-note: Kate Barnes was Maine’s first poet laureate, serving from 1996 to 1999. The volume I’m reading is called Kneeling Orion, published by David R. Godine, and, graced also by Mary Czarina’s woodcuts, it is a handsome book.

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Sidehill to December – Slant Walking

November 30th and a few streaks of sun break through the clouds, brighten the mountain and then vanish. Even as two darknesses are on the way – that of storm and that of December – the brief scene looks a little like a divine barcode, and, right now, in search of some trail-time after a day of talk, I’m buying.

For years I’ve made much of November for the quality of its slanting light and its long looks across terrain once obscured by summer’s foliage. It is, even as its days dwindle early, a season of discovery. December, however, has always felt like descent, and, were it not for the solstice turn near month’s bottom and the hoped-for flash of new snow, I’d opt for elsewhere.

But here, in the White Mountains that Henry Thoreau visited only in summer, I know also there’s beauty to be found on this crossover day, as he knew was true in all seasons and locales. Walking up for these few hours is simply another way of looking for it; it is kin to traveling “a good deal in Concord” and bringing back, perhaps, some word-leaves, or even a late blooming word-flower.

The trails I take work across slope, over the leaves of summer past, and it doesn’t take long to reach the clouds and their gauzy light. A scrim of snow deepens as I go up, though it, and I, never get to full winter. At the walk’s highpoint, a thousand feet above the valley, I pause at the juncture of trails, where one slants back down and, warm from climbing, savor a different season’s solitude. I’ll start down when I get a thermal prod, and I hope the forecast rain and sleet hold off until I get back to my car.

But really I hope only for what I have: this forested moment on crossover day, reminder that beauty and mystery are year-round.

Here, to follow, is short photographic saunter from the walk:

Sidehill up.

Sidehill up.

 

Along the upper contour.

Along the upper contour.

 

The crossover.

The crossover.

 

In the clouds.

In the clouds.

 

Snyder Brook going to winter.

Snyder Brook going to winter.

 

And on down.

And on down.