Category Archives: Arts

Meeting Thoreau at the Bookstore

By Corinne H. Smith

“The greatest compliment that was ever paid me was when one asked what I thought, and attended to my answer. I am surprised, as well as delighted, when this happens, it is such a rare use he would make of me.” ~ Thoreau, “Life Without Principle.”

In my work at a used bookstore, I happen upon references to Henry Thoreau on a semi-regular basis, often without warning. Last week he showed up three times. And in each instance, someone offered a unique interpretation of his words.

Thoreau emerges 3 times

Thoreau emerges 3 times

The first came in a 1927 book called “Handmade Rugs” by Ella Shannon Bowles (1886-1975). Bowles was the author of a number of craft-related books in the early 20th century, including “Practical Parties,” “About Antiques,” and “Homespun Handicrafts.” Later she wrote several books based on geography and New Hampshire. How did she somehow bring Thoreau into her narrative about home-made rugs? Amazingly enough, in the final and concluding paragraph, where she wanted to emphasize how much of themselves the rug-makers put into their work:

Thoreau says the value of a thing is determined by the amount of life that goes into it. So home rug-making will live on, as far as the craftswoman expresses herself in the products of the rug hook, the needle, and the loom.

While this is a nice sentiment, I don’t believe it’s quite what Thoreau had in mind. The sentence Bowles was referring to was from the “Economy” chapter of Walden: “The cost of a thing is the amount of what I will call life which is required to be exchanged for it, immediately or in the long run.” Bowles had remembered the idea from the point of view of the creator, and not of the purchaser, as Thoreau had. These are slightly different takes, and both equally valid. But hardly the same. We also have to wonder how Bowles knew of and read Thoreau, since his circle of fame was still rather small in the 1920s. Perhaps being based in New England helped her.

The second time Thoreau came to me was in the fifth edition of “Much Loved Books: Best Sellers of the Ages,” by journalist and literary critic James O’Donnell Bennett (1870-1940). It too originated in 1927, with a 1932 library edition. It was a collection of 60 lengthy columns that Bennett wrote for The Chicago Daily Tribune. Here he extolled the virtues of select classics, including Walden. He practically tripped over his enthusiasm for Thoreau and his work:

Of Thoreau’s masterpiece two wonderful things are true –
No man having attentively read it is ever the same man again,
Second – Nobody ever wrote a book in our tongue like it.

And this was just the beginning. Bennett gushed over Thoreau and Walden for nine pages. He mentioned that he had visited the Concord Antiquarian Society, the predecessor to the Concord Museum. And he was quite familiar with the 20-volume set of Thoreau’s works that was published by Houghton, Mifflin in 1906, as well as Ellery Channing’s biography, Thoreau: The Poet-Naturalist. I don’t believe I’ve read a more devoted tribute from someone from this time period. His concluding paragraph read:

He is the bonniest, gravest, honestest spirit in our literature, and his great book has the sunshine, the crisp snow, the bird notes, the morning light and the morning fragrance of Walden pond bound in with every one of its nearly 400 steadying, exhilarating, comforting pages. It lives and sings.

Wow! When Bennett died, he left his library of 7,000 volumes to The Tribune for use by the journalists. His funeral announcement in the paper said: “He liked to read random bits from such writers as Thoreau, Hazlitt, Tolstoy, Emerson, Hawthorne, and Shakespeare, his personal literary gods.” Bennett sure had a good core group at his fingertips.

The final time Thoreau showed up at the bookstore last week, it was in conversation with a regular customer, whom I’ll call Earl. Earl is in his late 70s, and he likes to talk. When he brought three big, colorful books on European castles to the checkout desk, he told me he was saving up his money to make the trip across the ocean to see some of these castles. We chatted about travel and books and other random subjects. Earl is the kind of person who has been places and has read widely, and this was not the first time he and I had talked.

Somehow my interest in Henry Thoreau came out. Earl seemed pleasantly surprised at this news, probably because it turned the conversation in a different direction. He admitted to me that he had once read the book that he mistakenly called “On Walden Pond.” (See my earlier post about this phenomenon at https://thoreaufarm.org/2013/10/two-ponds-or-two-henrys-one-work/.) I chose not to correct him.

“Do you know what my favorite part was?” he asked.

I shook my head. With Earl, it could have been anything.

“My favorite part was when he said that you should dig deep. I liked that. I think this is what I’m doing with my castle research and with the other historical subjects I’m interested in. I’m really digging into them, and I’m enjoying it very much.”

I commended him on his research and his choices. At the same time, I marveled at the fact that out of the entire text of Walden, the one sentence that resounded most with Earl was: “I wanted to live deep and suck out all the marrow of life.” Yet I had no doubt that this was exactly what Earl was doing.

Here were three different voices from three different sources and with three different interpretations. You never know what piece of Thoreau’s work people will take and what perspective they will have on it. I continue to be amazed at how far he continues to reach.

Firstling

It is, as the Roman god Janus is said to remind us, the time for looking backward and forward. And, for a two-faced god, or a weary human, looking one way inflects the other. In such a state it can be hard to inhabit the present. Resolution hotfoots it into the past or the future.

Enter the walking (or skating) man, Henry Thoreau, who lived the stuff of resolution – “I went to the woods because I wished to live deliberately, and front only the essential facts of life…” – but who rooted that resolution firmly in the immediate. Reduced to a somewhat inelegant phrasing, Thoreau’s life might be contained by this command: Be here fully, now.

What, I wonder, did Henry Thoreau make of New Year’s day?

I pull out all the journals and align them chronologically; I make sure too that I have my buck knife, reserved on indoor days for the opening of still-joined pages, should I encounter some. Then, I begin to leaf through the years 1850 to 1861, years of prolific output and years when Thoreau attached his journal-writing firmly to dates. Specifically, I want to see those years’ endings and beginnings. How did Henry Thoreau ring out the old and write in the new? Did he even mention something as arbitrarily imposed as a “new year?” Or was the calendrical shift seamless, unmentioned as he opened his door on simply another day, which was simply another chance to walk out into and see the world?

Part of the scatter. With a bonus view of a piece of my step-sister Anne's pottery.

Part of the scatter. With a bonus view of a piece of my step-sister Anne’s pottery.

Page-turning (and occasional page-slicing) ensues. I work my way through this marvelous decade+ of expression, getting sidetracked sometimes by a flash of insight, an apt phrasing, a shiver of recognition.

It is just as I suspected – there’s no ringing out of old or in of new; these years (and others) are fused as neatly as uncut pages. I draw my knife along one joined set, pulling its edge smoothly, carefully toward me; the pages part. I set aside the knife, and begin to read as 1854 becomes 1855.

Both days are river-days, which is to say too they are outside days:

Dec. 31. P.M. — On river to Fair Haven Pond.

Jan. 1. P.M. — Skated to Pantry brook with C.

And one offers a near-ecstatic wheel of color, a feast for eyes. The other has a slightly grumpy tone. Sounds like the present, like everyday life to me.

Here is each in its entirety:

1/31/54: On the river to Fair Haven Pond. A beautiful, clear, not very cold day. The shadows on the snow are indigo-blue. The pines look very dark. The white oak leaves are a cinnamon-color, the black and red (?) oak leaves a reddish brown or leather-color. I see mice and rabbit and fox tracks on the meadow. Once a partridge rises from the alders and skims across the river at its widest part just before me; a fine sight. On the edge of A. Wheeler’s cranberry meadow I see the track of an otter made since yesterday morning. How glorious the perfect stillness and peace of the winter landscape!

1/1/55: Skated to Pantry Brook with C. All the tolerable skating was a narrow strip, often only two or three feet wide, between the frozen spew and the broken ice of the middle.

Just so life: one day stopped with exclamation; another day threading the tolerable between the spew and broken ice. Always present.

Best wishes to you for the immediate.

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Perhaps…Poems

Perhaps…

…you too scrolled through the list of favorite poems cited by various notables the other day (12/23) on the NY Times site.

Link: http://www.nytimes.com/2015/12/27/books/review/whats-your-favorite-poem.html?hp&action=click&pgtype=Homepage&clickSource=story-heading&module=mini-moth®ion=top-stories-below&WT.nav=top-stories-below

Given some modest holiday travel, some seasonal spirit and the general retrospection of this time of year, I thought it might be fun to offer the same chance here.

Henry Thoreau began his writings as a poet, and, while he made his name as a prose writer, it’s also clear that poetry never left his heart or mind – so much of his work has the stir of poetry in it.

Here then, is a short, predictive poem Henry Thoreau published in The Dial (1840-44). I’ve always loved its reminder:

My life has been the poem I would have writ,
But I could not both live and utter it.

And here is a favorite of mine with a sweet, little backstory.

In my early 40s, I received a slim, wrapped present for my birthday from my father. Though he read little poetry himself, he knew I loved and read many poets and poems. He knew also that Mary Oliver was my favorite. I unwrapped the gift, a copy of The Night Traveller, a hard-to-find early chapbook of Oliver’s poetry. The gift deepened when I opened the chapbook: There, on the formerly blank backside of the cover was a handwritten version of the poem you’ll find below. The handwriting belonged to Mary Oliver, and I found also a little birthday note from her. My father had, with a kind determination he showed all his life, found Mary Oliver and, clearly, touched her with his request for his son.

That gift became a recurring one for me: Mary Oliver became a regular contributor to the journal I edited, and, during that decade, her letters also included various asides about dogs and woodlands, affections we shared.

Some Questions You Might Ask

by Mary Oliver

Is the soul solid, like iron?
Or is it tender and breakable, like
the wings of a moth in the beak of the owl?
Who has it, and who doesn’t?
I keep looking around me.
The face of the moose is as sad
as the face of Jesus.
The swan opens her white wings slowly.
In the fall, the black bear carries leaves into the darkness.
One question leads to another.
Does it have a shape? Like an iceberg?
Like the eye of a hummingbird?
Does it have one lung, like the snake and the scallop?
Why should I have it, and not the anteater
who loves her children?
Why should I have it, and not the camel?
Come to think of it, what about the maple trees?
What about the blue iris?
What about all the little stones, sitting alone in the moonlight?
What about roses, and lemons, and their shining leaves?
What about the grass?

And here is another link to Robert Pinsky’s brilliant Favorite Poem Project, begun while he was U.S Poet Laureate. For the project all sorts of people choose and recite a favorite poem; it is simply inspiring, as well as being great fun: http://www.favoritepoem.org/

And you? We welcome your thoughts, favorite poems, links.