Tag Archives: Sudbury River

Breaking Up Is Hard To Do

Neil Sedaka and Henry Thoreau – not your usual pairing. Still, both share a fascination with iced water’s set world. And with the grip it has on us. Both also wrote words, lyrics, that can take over the mind.

So it was that during our one-day spring (55 degrees!) last Friday, I approached our nearby bay at the shuffle-pace I call running. The snow’s remainders lay in thick strips of drift across the tan fields, and, having just returned from southern sojourn, I was wondering what I’d find. In mid-March, when we’d left in search of spring, the ice on the bay was more than a foot thick, and it stretched beyond the islands a mile off shore; I’d watched a family ski on (frozen) water out to those islands. Not, as we can all agree, a usual winter.

Through the barely budded trees, I could see the water, and it was streaked with white. Ice still!, I thought. As I drew nearer, I saw also gaps in that white, leads of open water colored greeny gray. A low rustling sound rose from the bay – ice rubbing ice, wearing itself away. Neil Sedaka’s lyrics popped into my head (and they are still there): breaking up is hard to do.

Out on the water, a pair of ducks paddled up to one miniature berg and clambered aboard, settling into contented crouch as their small world was jostled by others. A sheet of ice as big as a playing field floated seaward, impelled, it seemed, by some invisible force. Gulls cried through the air. The whole bay was alive.

Remnant ice, with the still unbroken sheet in the background.

Remnant ice, with the still unbroken sheet in the background.

As I left to return to my shuffle, I tried to force Neil Sedaka from my mind by thinking about Henry Thoreau and his break-up stories of Fairhaven Bay, the expanse of the Sudbury River broad enough to behave like the sea sometimes. Invariably, Thoreau’s spring journals arrive at Fairhaven to chronicle its break-up.

The winter of 1856 bore good resemblance to this year’s – March stayed cold, the snow was deep, ice thickened even as the light grew longer. Thoreau was out and about measuring the ice (nearly two feet thick on Walden) and walking still down the Sudbury’s center in late March. Still, as his long entries about spring signs make clear, he was eager for and alive to the new season.

On April 7th he finally was able to launch his boat:

Launched my boat, through three rods of ice on the riverside…Up river in boat…The first boat on the meadows is as exciting as the first swallow or flower. It is seen stealing along in the sun under the meadow’s edge. One breaks the ice before it with a paddle, while the other pushes or paddles, and it grates and wears against the bows.

And on April 8th, he reached Fair Haven Pond:

By the side of Fair Haven Pond it was particularly narrow. I shoved the ice on the one hand and the bushes and trees on the other all the way…For all this distance, the river for the most part, as well as the pond, was an unbroken field of ice.

“Comma comma down doobie do down down,” I half-sang, “comma comma down…” and my feet aligned their steps to Sedaka’s song.

Breaking with this song is as tough as slipping the grip of winter; O, this will not end soon, I thought. And clearly these days later, even as our ice retreats, it hasn’t.

Stranded berg

Stranded berg

Breaking up is hard to do. Comma comma…

Added note: a while later, in a tree at a field’s edge, a bluebird sang, then flew, its sky-blue back flashing in the sun.

Hawk and Crow

Hawks were much on Henry’s mind during the April days of 1855. Often, he had taken to the water, and, as he rowed and floated, he saw fish hawks; being Henry, he wanted to know what these hawks were eating, and a number of entries have a catalogue of pout parts found beneath a hawk’s perch – another recorded arc in our round world’s cycles. And whenever he walked he scanned for them too: “Going up the hill, I examined the treetops for hawks.”

Throughout these days and lines wherever hawks appear so too does the loud, dark shadow of the crow. For days now I’ve had this avian pairing in mind as another chapter of its story plays out atop a tall hemlock next to the Sudbury River.

Air Dance - Hawk and Crow

Air Dance – Hawk and Crow

Hawk Notes from Three Spring Days

Most mornings this spring, the tall hemlock by the Sudbury River has been topped by his figure. Still from this distance, sentinel-like, this young redtail hawk takes in the floodplain, and were I a four-footed scurrier, I’d hope to be aware he’s there.

Morning after a strong front blew through: no time to be totem for the redtail today. He comes to his morning perch and lights, folds his wings; immediately he has to flare them for balance, then the red rudder of his tail fans out and tips him forward. He looks like a child on a teeter-totter, or an athlete rehabbing his bum ankle. For a full minute he wobbles; the whole world of his vision must rock. Then he opens his wings, flies off downwind, sinking to and skimming the field before pulling up into the gray branches of just-flowering, shorter maple.

And this morning under low clouds, I’m watching as the hawk pulls up flaring wings to his perch; above and fully engaged is a single crow, and the crow begins a series of inverted parabolas, diving on the hawk, whose feathers are truly ruffled – he still looks as if he slept in them. Then, for a minute or so, the crow lights in a nearby tree crown, and, through binoculars I can see him “talking” at the hawk, who turns to face him. “Yo, young fella,” he seems to say. “I’m comin’ right back; I’ll be on you all day like red on your tail.” The crow then lifts off and resumes his diving harassment, and, at each near approach, the hawk ducks his head a little and opens his beak…and I wonder if there’s a price for flying too close, or if this is another part of the world’s tutorial for this young hawk, who also seems to be in his first molt.

On this third morning the washed air after a rain makes the redtail shine, even as his primary color is dun. He is perched to the right and below his usual uppermost point, and perhaps that’s because his black nemesis is here too. Can this be the same crow? Did he sleep nearby, open his yellow eye and say, “Where’s my hawk?” stretch his wings and resume his inverted parabolas of outrage? Really? As I watch through glasses, the hawk tracks the swooping dives of the crow, opening his beak and flaring a wing and cringing (it must be said) at each approach; the crow drops into my magnified field of vision, accelerating to and by the hawk’s head, then rises away and out of sight. I time his appearances – every 7 or 8 seconds, he’s back; when a longer interval arrives, I put down the glasses and find him atop a nearby maple. Even without magnification, it’s clear he’s still talking at the hawk, even as he must be doing whatever the bird equivalent of panting is.

Then, after all this, the crow suddenly arrows away south; the hawk watches him go, wondering, I’m sure, when he’ll be back. I wonder too. For now, the hawk is again alone on top, totemic, imperturbable.

Spring is bird season in Henry’s journals – and here today. Their morning chorus chases off the cold winter silence, and everywhere they are constructing the coming season from beakfuls of grasses and twigs. Overseeing it all is a Sudbury River hawk.