Tag Archives: Henry Thoreau

Le Grand Chat

Though far from Henry’s or our own woods, we keep seeing or hearing things or moments that nonetheless summon him to mind. The most recent is a reported sighting on the outskirts of Paris. First tabbed as a tiger on the loose (from where seemed uncertain), the Paris cat has now been downgraded to unknown feline, even as any number of gendarmes continue to search for him/her.

Still, a grainy photo and clear set of prints suggest something beyond an overweight tabby – estimates of the cat’s size, based on its tracks, range between 100 and 150 pounds. Enough cat to get your attention, bien sûr.

Photo originally provided by the town council of Montévrain on Thursday shows what was initially described as a tiger. Photo removed at request of rights holder. 

Thoreau, of course, lived in a landscape shorn of its large carnivores, but, as his writing make clear, he was an avid tracker of wildlife. And his readings of these signs fired his imagination; they helped him see and write about a narrative world.

An American, who when home follows closely the reported tracks and resurgence of our native lions, I naturally have been keeping track of the Paris cat. My native New England is rife with lion-rumor these days, and I figure to see one there during my lifetime. The suburbs of Paris are older ground, however, and so this visit from the wild has had people and news outlets agog – schools with armed guards, people told to stay indoors, car doors locked, various experts quoted.

And the course of response has taken a predictable route too. Something akin to panic has morphed into brow-raised cynicism even as the cat has been assigned more usual proportions.

But the avid attention speaks also of a hunger Henry Thoreau knew too – the wild is a tonic and a hope – an I’m guessing that any number of us following the story hope the Paris cat will vanish into the countryside, where we will imagine he lives on, even as we await his next visit.

Redwoods Abroad

It’s been said that Henry Thoreau would walk miles to visit a tree, and, over time, I’ve come to understand the lure of arboreal friendship and walking for it. The tree, after all, can’t come to me. There’s a large white pine I like especially at the bend of a trail that descends from the Andromeda Ponds behind Walden toward Fairhaven Bay; I run my hand across its rough bark at each passing.

The other day, during a walk in the Luxembourg Gardens, my eye was drawn to two large trees – conifers of some sort, they looked decidedly foreign in this setting, and, even given good size, they looked young. I bent to read the small sign by the path side and found they were sequoias. And that, of course, set me to wondering how two redwoods had arrived in the middle of Paris.

Well rooted

Well rooted

 

Not long after I’d begun this wondering, I’d learned that there are redwoods all over Europe, the largest of which is Scottish and now reaches some 54 meters into the air. It is said to be “growing quickly.” Europe’s redwoods don’t yet match the sky-scratching height of our tallest trees out west, where a sequoia named Genesis rises 86.2 meters to the current record, but after only 160 or so years, they are on their way. The temperate U.K. and Belgium and France seem favored locales for redwoods in Europe.

What also caught my attention was the timing of an apparent enthusiasm for planting these monumental trees. The largest of the lot date from the 1850s, a time when, an ocean away, Henry Thoreau was traveling a good deal in Concord to visit woody friends of his own.

Discovered only in 1852 in California, the giant sequoia rapidly became a tree-to-have in English Gardens, which were fashionable in the 2nd half of the 19th century throughout much of Europe. The gardens, influenced by Romanticism, had intentionally wild sectors to them, and the sequoia came from the wild Americas. That it promised also to be monumental seemed in keeping with a European mindset.

 

Looking up in the Luxembourg Gardens

Looking up in the Luxembourg Gardens

Whether Thoreau paid much attention to this woody discovery and its hopscotch migration eastward, isn’t clear. His journal doesn’t attend to the June 27th, 1853 felling of a huge sequoia (reportedly over 300 feet high and 1,224 years old) in California – a media sensation; eventual fallout from it and other cuttings helped lead to John Muir (who lionized Thoreau) and the 1872 founding of the park at Yosemite, and then on to the national park system.

It seems that, faithful to Concord and his local focus, Thoreau spent his time and ink thinking about trees he knew.

But Thoreau does mention the sequoia in the writings that became Faith in a Seed:
“What would Pliny and Evelyn have said of that eighth wonder of
the world, the giant sequoia of California, which springing from so
small a seed (the cones are said to be shaped like those of a white
pine, but to be only two and a half inches long) has outlasted so many
of the kingdoms of the world?
If we suppose the earth to have sprung from a seed as small in
proportion as the seed of a willow is compared with a large willow
tree, then the seed of the earth, as I calculate, would have been
equal to a globe less than two and a half miles in diameter, which
might lie on about one-tenth of the surface of this town.”

Almost every day during this sojourn, I walk over to see the two sequoias. Still in their youth – I estimate they are 20 to 25 meters tall – already they have begun looking down at many of their elders; it won’t be long before they see much of Paris. It’s good to make new friends.

Thanks to Corinne Smith for unearthing the quotation from Faith in a Seed.

Sky-scatcher

Sky-scratcher

An Old Book Is a Joy Forever

By Corinne H. Smith

My part-time day job is to do cataloging for a seller of used books. Recently I was up to my ears in old children’s books at my desk when boss Kevin walked into the work room. He had been sorting through boxes of “new” arrivals in another part of the building. He had a smile on his face and a book in his hand, and he held it out to me.

“Here’s something I think you may want to see,” he said. I saw a slip of white paper sticking out of the book as I reached over my computer to take it.

As soon as I touched it, I said, “Wow.” The brown covers, both front and back, had intricate textured carvings. Bright gilding appeared on all three open edges of the pages, not just along the top. The spine had five metal rings in it. It was heavy. Now THIS was a book designed for reading and for keeping. “Homes of American Authors,” read the gilded letter titling. The flyleaves were made of marbled paper in hues of yellow, red, and blue. The title page said that it had been published by G. P. Putnam and Company in 1853. Wow again.

homesofaa

Kevin knows of my obsession with All Things Thoreau, so he often deflects relevant books to me. I’d never seen a copy of this one before, though. I figured that the slip must mark a mention of Henry. But from 1853? The book Walden wouldn’t be published until August 1854. Thoreau would so far have been known only for writing a few essays, delivering some lectures, and selling fewer than 300 copies of his first book, A Week on the Concord and Merrimack Rivers. What could this be?

The marker was tucked between pages 246 and 247, in the Emerson chapter. Of course! In the middle of the discourse about the famous resident of the big white house on the Cambridge Turnpike, the author chose to ramble a bit about one of the regular visitors to the place. It’s just one paragraph, and it’s obvious that the writer knows Thoreau. He finds it unusual that Henry hasn’t yet kicked up any arrowheads on the Emerson property:

The site of the house is not memorable. There is no reasonable ground to suppose that so much as an Indian wigwam ever occupied the spot; nor has Henry Thoreau, a very faithful friend of Mr. Emerson’s, and of the woods and waters of his native Concord, ever found an Indian arrowhead upon the premises. Henry Thoreau’s instinct is as sure toward the facts of nature as the witch-hazel toward treasure. If every quiet country town in New England had a son, who, with a lore like [English naturalist Gilbert White’s] Selborne’s, and an eye like [French naturalist Georges-Louis Leclerc, Comte de] Buffon’s, had watched and studied its landscape and history, and then published the result, as Thoreau has done, in a book as redolent of genuine and perceptive sympathy with nature, as a clover-field of honey, New England would seem as poetic and beautiful as Greece. Thoreau lives in the berry-pastures upon a bank over Walden pond, and in a little house of his own building. One pleasant summer afternoon a small party of us helped him raise it – a bit of life as Arcadian as any at Brook Farm. Elsewhere in the village he turns up arrowheads abundantly, and Hawthorne mentions that Thoreau initiated him into the mystery of finding them. But neither the Indians, nor Nature, nor Thoreau can invest the quiet residence of our author with the dignity, or even the suspicion of a legend.

Wow again! Not only did this author know Thoreau, but he was a true friend and a fan who could wax poetic when necessary. He took a bit of literary license, since Henry’s time at Walden was from 1845-1847; and by 1853, he was living with his family in the yellow house on Main Street. Still, I wanted to know: Who wrote this piece?

I went back to the title page to find out. It unfortunately read “by various writers.” However, another page contained the names of eleven contributors, one for each chapter. Among them was George William Curtis (1824-1892), a New England-based author who wrote for Putnam’s Magazine. He lived for several years in Concord and also for a short time at Brook Farm. I’ve since learned that he was the one who penned this quick but nifty profile of Henry, embedded within his description of Emerson’s home. And it’s one of the earliest casual mentions of Henry in print media.

The old engraved illustrations in this book are simply stunning. In addition to Emerson’s house, there are pictures of the Old Manse and the homes of the Alcotts and the Hawthornes. A few pages were missing from the Emerson chapter, unfortunately. And the more I handled it, the sorrier I felt for this book. The front cover had entirely broken away from the spine. The back cover was threatening to do the same, as I discovered when I turned the book sideways to look at the engravings. The spine material was loose. All of the outer edges were worn. Some pages were aging and had a bit of foxing around their edges. It wasn’t the best gem in the jewelry box. Still, I was grateful that Kevin had taken the time to see if the name of Henry Thoreau appeared in it.

“Wow,” I said to him, after examining the book for the few minutes that seemed like a lifetime. “This is very cool. Thanks for sharing.” I handed it back to him.

“No, no,” he said, with his arms at his sides.  “I can’t sell a book in that condition.  You can keep it.”

Wow again.

Ol Manse Illustration from the Book

Ol Manse Illustration from the Book