Author Archives: Sandy Stott

Raptors and Riparians

by Ashton Nichols

In addition to songbirds, our Creekside is also a realm of raptors; that is to say, it is busy with that expansive group of avian species that include the hawks, and the eagles, and the owls. “Raptor” derives from a Latin word rapere, which means–as you might imagine–to seize forcefully. This morning it was just two red-tailed hawks circling high above the farm fields near us, squawking a call that is known to all of those who remember the television show Northern Exposure: “Awwkkee, aawwkkee!” they cry, as gangs of crows circle around them in small flocks, working hard to chase them away. But the red-tailed hawks often win. Today it seems like a draw, as the crows disperse and scatter into the tall trees off toward the western horizon, and the red-tails sail away into the distance in the direction of North Mountain. With this dramatic encounter of hawks and crows, I thought I was done with my bird-watching for the day, but I was not very prophetic on this blue-skied dawn.

Red-tail: Unharried on High. photo by Brocken

Red-tail: Unharried on High.
photo: http://en.wikipedia.org/wiki/Redtail_hawk#mediaviewer/File:Red-tailed_hawk_in_flight.jpg

Hawks like these aggressive hunters are here almost every day. Usually it is red-tails like this pair, but sometimes it is Cooper’s hawks or sharp-shins, kestrels (not really much larger than large songbirds) or broad-wings. These hawks in their kettles all gather here because the hunting is so good: field mice and moles, voles and even big rats, all drawn by the hundreds of acres of seeded farm-fields around us, by the stacks of grain and corn in the barns, and by the smaller birds that hawks are also willing to eat. I have seen a peregrine falcon take a sparrow right out of the sky in front of me, in a flash of feathers that looked like an explosion of bird-life.

There are also cats on the farm here, as you might well expect: barn cats in their low dozens: tigers and tortoise-shells, an orange-and-white that is one of my favorites, and even a jet black bit of bad luck, but I like her a lot. Yet even all of these felines cannot keep the microtis (the word that means “small-eared” when it refers to little furry mammals) that surround us at bay. There cannot be too many cats for the hawks; there cannot be too many cats for the rats. Here at Creekside we witness the delicate balance of nature: hawks and cats, mice and rats, and even thousands upon thousands of spring-peeper frogs, but more about them and their role anon.

We also have bald eagles at Creekside this spring and early summer, at least two often-seen juvenile birds that we have been watching closely for almost six months now. We have watched them as they have grown and matured, as they soar from one wide farm-field to the other, and then as they sail away down toward the wide-open creek bed, and especially as they change their wide-winged plumage from brown-and-white splotches to the beautifully characteristic white head and tail. Bald eagles are born with almost as many white feathers as brown ones scattered throughout their wide body and wings and then, as they grow, the brown number increases, and the white one shrinks to just their heads and tails. In the male, as all good Americans know, this white ends up only covering the head and the sparkling white tail. The adult female, however, unlike most other bird species, looks almost exactly like the adult male, but she is a little bit larger all over: her wingspan is wider, she weighs a bit more, her beautifully curved bill is a bit longer, and so are the sharp rear talons on her wildly lizard-looking legs.

Photo by Lloyd MacKenzie

Photo by Lloyd MacKenzie

Several years ago, there was a registered bald eagle’s nest about five miles to the northwest of us along our same winding creek. A registered nest has watchers from the Audubon Society, and other official birding groups, who regularly report on the condition of the nest, the number of eagle’s eggs, and just how the young develop as they hatch and then mature. But these two juveniles that we have been watching this year are clearly from much closer by; the nest from which they fledged must be just down the hill from us or along the wide ox-bow that winds across and along the creek to our immediate west. These two birds fly close enough to us sometimes so that we can see their curved beaks and reptilian talons. They roost in tall pine trees nearby and the locust trees just behind the house, and then they swoop down and soar across the nearby fields and creek in search of prey. Once, at least once, we saw one of these magnificent birds with that very same prey in its talons, captured and spiked right through with razor sharp claws, a small rodent or other immature mammal, dead now and soaring off across the wide fields toward the mountain ridge above us, another kill, another capture, another protein feast for this fine national bird that we call America’s.

Finally, our owls are the last group of raptors here with us at Creekside. We have never seen one, at least we have not seen one yet, but we often hear them in numbers at night, calling from deep down in the Conodoguinet creek bed. Most often it is the barred owl, with its characteristic, “Who cooks for you all; who cooks for you?” and then sometimes, when we get lucky, we hear the noble great horned owl, with a more stately and solemn, “Whooo, whooo, whoo, whoo! Whoo, whoo, whoo, whooo!”

Often Heard, Seldom Seen - the Spring Peeper. Photo by Zach Welty

Often Heard, Seldom Seen – the Spring Peeper.
Photo by Zach Welty

Some nights these owl calls even drown out the chorus of spring peeper frogs, or these two choruses–avian and reptilian–vie for supremacy, first the frogs taking over, “Kee, ke, ke, kee, keek–Kee, kee, ke, kee,” and then the owls, especially that booming great horned sound, “Whoo, whoo, whoo, whoo; whoo, whoo, whoo, whoo!” We drift off to sleep with these sounds in our heads: the huge owls off in the distance and then these tiny frogs, thousands of them not much bigger than the size of your thumbnail–just two hundred to three hundred yards away–peeping loudly: “peeeep, peeep, peep-peep, peeeep,” and we are lulled into unconsciousness by these booming repeated raptor calls followed by these delicate riparian replies.

Solstice Dance

Solstice – In The Long Light of the Journals

The light woke me before five this morning. Often, these days, it’s the birds, whose singing begins with a single fluted call just after four; that call garners response. Then, the avian neighborhood joins in. But today, appropriately, it was the light, which seemed intent on my living the fullness of this “longest” day of the year. I got up, brewed some coffee and went to a morning chair to read.

Through these days in 1855, Henry Thoreau was also making the most of the long light, spending hours out and about, and, for the most part, recording only the nests he observed in short journal entries. These days form a skein of regeneration: as the light peaks the whole world seems to be rising and chirping from its many cupped circles. Young birds break from their eggs, squall for food, fledge finally, and Henry, as he walked, must always have been looking up. A whole sky alight suggested as much.

But one day, the 18th, on his way to or from The Hemlocks, Henry catches motion on the ground. First one, then another, painted tortoise appears: “I saw a painted tortoise just beginning its hole; then another a dozen rods from the river on the bare barren field near some pitch pines…I stooped down over it, and, to my surprise, after a slight pause it proceeded in its work, directly under and within eighteen inches of my face.” For long minutes Henry stays still in this “constrained position,” watching, as the turtle digs her hole and lays five “wet, flesh-colored” eggs. His description is typically precise, satisfying, and now, this reader thinks, it’s time to rise from this cramping crouch and move on. Perhaps to the next local miracle.

From Henry's Point of View

From Henry’s Point of View

Henry, however, stays; I stay too. And I am rewarded with a recovered favorite image, a dance of completion that seems just right for the days of maximum light:

After these ten minutes or more, it without pause or turning began to scrape the moist earth into the whole with its hind legs, and, when it had half filled it, it carefully pressed it down with the edges of its hind feet, dancing on them alternately, for some time, as on its knees, tilting from side to side, pressing by the whole weight of the rear of its shell…The thoroughness with which the covering was done was remarkable. It persevered in drawing in and dancing on the dry surface which had never been disturbed long after you thought it had done its duty, but it never moved its forefeet, nor once looked round, nor saw the eggs it had laid.

Painted Turtle Laying Eggs

I put the journal down. I have seen such dancing, for me snapping turtles crawled up from a nearby bog. Now the image is fresh again, a dance of the solstice lit by the long day of Henry Thoreau’s writing.

Heat, Humidity & Henry (Or: In Touch with the Past, Part II)

By Corinne H. Smith

Yesterday we had one of those hot and humid days. Ick. You know the kind. Not only was it darn uncomfortable just to sit around and breathe, but it also caused every hair on my head to curl in a different direction. Neither cap-wearing nor combing could remedy the situation. And the hot and humid day turned into a hot and sticky night. The occasional whiffs of air from an open window didn’t do much to cool off the bedroom. I couldn’t get to sleep.

After two hours of just lying there, I decided to get up and to get some work done instead. I might as well be productive, as long as I was awake. I fired up the computer and got out some of my Thoreau books. I wanted to scan his journal for references to a plant I had found in our yard. I hoped Thoreau had seen and felt the same way about it that I did. I had hoped to write a post here in response to whatever he had written.

I opened the first of my two-volume Dover set: a reprint of the 1906 journal volumes that Sandy Stott mentioned in his recent post, “In Touch with the Past” (https://thoreaufarm.org/2014/06/in-touch-with-the-past/). These books are slightly more portable, take up less room, and contain the same text as the ones Sandy uses. But all I found were Henry’s glimpses of the plant, and some of the dates when he saw that it had blossomed. I wanted more details, more substance. This time, he wasn’t forthcoming. I sighed. This particular subject wasn’t going to work. What was I going to write about instead?

Then I stumbled upon this entry:

“June 21. … The warmest day yet. For the last two days I have worn nothing around my neck. This change or putting off of clothing is, methinks, as good an evidence of the increasing warmth of the weather as meteorological instruments. I thought it was hot weather, perchance, when, a month ago, I slept with a window wide open and laid aside [it] a[s] comfortable, but by and by I found that I had got two windows open, and to-night two windows and the door are far from enough.” ~ June 21, 1853

No Matter How Many Windows Open...

No Matter How Many Windows Open…

I shook my head. Here we were, sharing the same discomfort, across the span of 161 years. No matter how many bedroom windows we’ve opened, they’ve done nothing to bring us relief. The times, they are not a-changing. This painted a picture of Henry Thoreau that I had not thought of before. The naturalist, the writer, the surveyor, the saunterer, the philosopher? Sure. Someone who lies awake on a steamy summer night and considers the relationship between the rising temperatures and how much clothing a person is wearing? No. But it’s certainly an interesting image. Then again, what else could he do under the circumstances? He didn’t have a computer for entertainment, where he could check his e-mail and what his Facebook friends were doing at midnight.

Alas, Henry. I suspect we will have more of these unbearable and sleepless nights in the next three months. I’ll think of you again whenever the act of opening two windows and a door isn’t enough to cool the bedroom.