Author Archives: Sandy Stott

Firstling

It is, as the Roman god Janus is said to remind us, the time for looking backward and forward. And, for a two-faced god, or a weary human, looking one way inflects the other. In such a state it can be hard to inhabit the present. Resolution hotfoots it into the past or the future.

Enter the walking (or skating) man, Henry Thoreau, who lived the stuff of resolution – “I went to the woods because I wished to live deliberately, and front only the essential facts of life…” – but who rooted that resolution firmly in the immediate. Reduced to a somewhat inelegant phrasing, Thoreau’s life might be contained by this command: Be here fully, now.

What, I wonder, did Henry Thoreau make of New Year’s day?

I pull out all the journals and align them chronologically; I make sure too that I have my buck knife, reserved on indoor days for the opening of still-joined pages, should I encounter some. Then, I begin to leaf through the years 1850 to 1861, years of prolific output and years when Thoreau attached his journal-writing firmly to dates. Specifically, I want to see those years’ endings and beginnings. How did Henry Thoreau ring out the old and write in the new? Did he even mention something as arbitrarily imposed as a “new year?” Or was the calendrical shift seamless, unmentioned as he opened his door on simply another day, which was simply another chance to walk out into and see the world?

Part of the scatter. With a bonus view of a piece of my step-sister Anne's pottery.

Part of the scatter. With a bonus view of a piece of my step-sister Anne’s pottery.

Page-turning (and occasional page-slicing) ensues. I work my way through this marvelous decade+ of expression, getting sidetracked sometimes by a flash of insight, an apt phrasing, a shiver of recognition.

It is just as I suspected – there’s no ringing out of old or in of new; these years (and others) are fused as neatly as uncut pages. I draw my knife along one joined set, pulling its edge smoothly, carefully toward me; the pages part. I set aside the knife, and begin to read as 1854 becomes 1855.

Both days are river-days, which is to say too they are outside days:

Dec. 31. P.M. — On river to Fair Haven Pond.

Jan. 1. P.M. — Skated to Pantry brook with C.

And one offers a near-ecstatic wheel of color, a feast for eyes. The other has a slightly grumpy tone. Sounds like the present, like everyday life to me.

Here is each in its entirety:

1/31/54: On the river to Fair Haven Pond. A beautiful, clear, not very cold day. The shadows on the snow are indigo-blue. The pines look very dark. The white oak leaves are a cinnamon-color, the black and red (?) oak leaves a reddish brown or leather-color. I see mice and rabbit and fox tracks on the meadow. Once a partridge rises from the alders and skims across the river at its widest part just before me; a fine sight. On the edge of A. Wheeler’s cranberry meadow I see the track of an otter made since yesterday morning. How glorious the perfect stillness and peace of the winter landscape!

1/1/55: Skated to Pantry Brook with C. All the tolerable skating was a narrow strip, often only two or three feet wide, between the frozen spew and the broken ice of the middle.

Just so life: one day stopped with exclamation; another day threading the tolerable between the spew and broken ice. Always present.

Best wishes to you for the immediate.

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Finding Thoreau in Suburbia

By Corinne H. Smith

I was invited to a holiday dinner by a pair of new friends. They live in an expanding housing development that just a few years ago was still a field standing tall with corn. They gave me explicit directions to their townhouse. I was to follow Elmcrest Boulevard to Cobblestone Drive and then their street, Oak Leaf Drive. If I reached Field View Drive or Green Park Drive, I would have gone too far.

Although I had seen this neighborhood from a distance, I had never driven through it. I already suspected that I would see neither elm trees nor oak trees, and that I would not be able to drive or walk on cobblestones. And the “field view” wouldn’t be of a “green park.” It would offer the pleasing sight of endless garages and rooflines, or of mud and machinery and of other houses being built to fill in the empty spaces. I knew I wouldn’t like it. But if this is where these folks wanted to live, so be it. They were my friends, and they were nice enough to invite me to dinner.

When the time came, I made my way to the entrance of Elmcrest Boulevard. It wasn’t as grand as it sounded. And it had nary a straight stretch. Not even one inch. It wound through the place like a drunken sailor: first this way, and then that. Other cross streets turned off at each bend. I drove slowly and focused on the names on the signs, hoping to finally spot Cobblestone Drive. But when Emerson Drive showed up on my right, I started laughing. Really, THE Emerson? Ralph Waldo Emerson? Here in suburbia, almost 400 miles away from Concord, Massachusetts? I glanced at the clock. I had time. I could inspect how Mr. Emerson’s legacy was interpreted here. I made the turn onto Emerson Drive.

development

As I suspected, both sides of Emerson were filled with houses that were too close together. They were neat and tidy, and they all looked the same. Then Alcott Drive turned off to the left. I laughed again. I could picture poor Bronson shaking his head at the sight. The next left was Thoreau Drive. Of course! It had to be. I turned left. Here I was, driving along Thoreau. It looked just like Emerson and Alcott. Interpret this statement as you will.

 

Obligatory stop at junction of Emerson and Thoreau

Obligatory stop at junction of Emerson and Thoreau

The literary theme continued. The streets leading off Thoreau were James Way, Dickens Lane, and Hemingway Lane. Then Emerson showed up again. It had circled around behind the rest. I turned left to get back to where I needed to be. I expected to see Alcott Lane again on my way back. But no. Hawthorne Lane had sneaked in ahead of Alcott. It turned out that Alcott and Hawthorne twisted around each other here. Interpret this statement as you will.

Emerson Drive soon became Walden Way. Really now, this was simply too much.

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But to the developers’ credit, the road was just a short pass-through back to Elmcrest Boulevard. The only structure on Walden Way was a common building that fronted a pool and a series of tennis courts. Behind it loomed a small but muddy retaining pond. Once I passed these, I could make a turn and get back to where I needed to be. It took only a few minutes more to find my friends’ house.

 

Walden water?

Walden water?

The dinner was great, and so was the conversation. We all ate too much. Soon the sun dropped behind the bulldozers parked behind my friend’s backyard. Clouds moved in. I thanked my hosts for their hospitality and headed home.

It wasn’t too dark yet. So I followed the Transcendental route again, this time in the opposite direction: Walden Way, Emerson and Thoreau, with a glance at Hawthorne, Hemingway, Dickens, James and Alcott. This time, I took pictures. I almost wanted to know who had named these streets and why. Were the choices meant as a true tribute to the authors? Or were they merely names to fill up signs? Did the residents know who their streets were named after? I was torn between feeling validated in my love for these writers and being appalled.

And even though it would be a great address to have, I knew I would never want to live along this version of Thoreau Drive. I’d rather live in a house on a street that’s older than me. One that has some character in its framework, and with mature trees towering over it. Many years will pass before you will be able to say this about my friends’ neighborhood. (If ever.) Still, such a discovery allows us a chance for a vicarious visit to the legacies of the Transcendentalists, in a place you’d never expect to find them.

Whether they’d be gratified or not, it turns out that the Transcendentalists are everywhere.

Perhaps…Poems

Perhaps…

…you too scrolled through the list of favorite poems cited by various notables the other day (12/23) on the NY Times site.

Link: http://www.nytimes.com/2015/12/27/books/review/whats-your-favorite-poem.html?hp&action=click&pgtype=Homepage&clickSource=story-heading&module=mini-moth®ion=top-stories-below&WT.nav=top-stories-below

Given some modest holiday travel, some seasonal spirit and the general retrospection of this time of year, I thought it might be fun to offer the same chance here.

Henry Thoreau began his writings as a poet, and, while he made his name as a prose writer, it’s also clear that poetry never left his heart or mind – so much of his work has the stir of poetry in it.

Here then, is a short, predictive poem Henry Thoreau published in The Dial (1840-44). I’ve always loved its reminder:

My life has been the poem I would have writ,
But I could not both live and utter it.

And here is a favorite of mine with a sweet, little backstory.

In my early 40s, I received a slim, wrapped present for my birthday from my father. Though he read little poetry himself, he knew I loved and read many poets and poems. He knew also that Mary Oliver was my favorite. I unwrapped the gift, a copy of The Night Traveller, a hard-to-find early chapbook of Oliver’s poetry. The gift deepened when I opened the chapbook: There, on the formerly blank backside of the cover was a handwritten version of the poem you’ll find below. The handwriting belonged to Mary Oliver, and I found also a little birthday note from her. My father had, with a kind determination he showed all his life, found Mary Oliver and, clearly, touched her with his request for his son.

That gift became a recurring one for me: Mary Oliver became a regular contributor to the journal I edited, and, during that decade, her letters also included various asides about dogs and woodlands, affections we shared.

Some Questions You Might Ask

by Mary Oliver

Is the soul solid, like iron?
Or is it tender and breakable, like
the wings of a moth in the beak of the owl?
Who has it, and who doesn’t?
I keep looking around me.
The face of the moose is as sad
as the face of Jesus.
The swan opens her white wings slowly.
In the fall, the black bear carries leaves into the darkness.
One question leads to another.
Does it have a shape? Like an iceberg?
Like the eye of a hummingbird?
Does it have one lung, like the snake and the scallop?
Why should I have it, and not the anteater
who loves her children?
Why should I have it, and not the camel?
Come to think of it, what about the maple trees?
What about the blue iris?
What about all the little stones, sitting alone in the moonlight?
What about roses, and lemons, and their shining leaves?
What about the grass?

And here is another link to Robert Pinsky’s brilliant Favorite Poem Project, begun while he was U.S Poet Laureate. For the project all sorts of people choose and recite a favorite poem; it is simply inspiring, as well as being great fun: http://www.favoritepoem.org/

And you? We welcome your thoughts, favorite poems, links.