Category Archives: Nature

On Edge – Little Mysteries in Thoreau’s Journal

The knife I use to open the still-joined pages in my edition of Thoreau’s journal comes from Durango, Colorado; more precisely, it comes from a trail that winds above the town into the mountains. There, one morning as we walked up, finding our way eventually to a 12,000’ high point, I noticed anomaly packed into the reddish dirt; a flat, black stone, I thought. As I bent to look, I saw patterning, which resolved as the incised side of a 5-inch buck-knife. I dug it out, looked instinctively around for the owner, and, seeing no one, pocketed my find. No one else had been there for weeks.

That evening, I cleaned the knife, washing away the grit, scrubbing the blade, which soon shone dully, even as it held a fine edge. It became my trail-knife, both in the hills, and along the long reach of Thoreau’s uncut journals. If I look closely, I can still see the red dirt from that long-ago trail lining the cross-hatchings on the knife’s side.

Over time, I’ve come across a few other incisions as I’ve dropped like some small, literary paratrooper into this journal or that. A few whole pages have been sliced from this 1906 edition, and, of course, that has made me curious. The writer from whom I received these books struck me – though I knew her only a little – as a preserver. She had been a local newspaper editor and historian, and, when people wanted an answer to a town question from the past, they were likely to hear, “Go ask Eleanor. She’ll know.”

Each week, Eleanor would write a column about some local evolution, and each week, my wife, who edited the paper, would stop by to collect that column. Eleanor seemed to lead an interior life at that time, and most often the column, typed with the old Courier font, would be in a basket in the entryway to her house. Still, some connection must have formed, because one spring, books in boxes began to accompany the columns. And one of those boxes – two actually – held the 1906 edition on Thoreau’s journal and published works.

Some of the books that contributed to Thoreau's journals. Henry's Walden Pond library.

Some of the books that contributed to Thoreau’s journals. Henry’s Walden Pond library, as on display in the Special Collections at the Middlebury College Library.

Some years passed before I noticed the first missing page; its cut was straight and clean. It had been careful work. I had, by that time, devised my own cutting ritual, using my found buck-knife for the joined pages in sections Eleanor and whoever had owned these books before hadn’t opened. If I took care and drew the blade steadily toward me and down the seam, the paper parted so each page matched. If I hurried or even turned my head a little toward distraction, the paper would tear into ragged edges, though most of the time the generous margins left the writing intact. Still, each poor cut felt like injury.

But this excised page puzzled, and I looked into it. Research brought a few fantastic moments: might I have, as gift, one of the 600 Manuscript Editions, the 1906 printing that bound in a page of Thoreau’s original journal to each 20 volume set? I sat back in a little dream of discovery’s edge.

Well, no. Those editions were numbered; mine was not. A quick search on line shows that copies of the Manuscript Edition are still out there for sale…if you have roughly $20,000 to spare. My edition, the Walden Edition, clearly issued from a usual print run, part of a broader stream of publication, and a pencil notation suggested that Eleanor had acquired it in 1987, for the meager sum of $25. What then had been cut cleanly out? I would have to find out when I next met this set of books in some other library.

Still, this gift edition carries forward, offering affirmation and surprise. And, as further reward, during my sleuthing, I’ve reread Emerson’s unadorned and adoring introductory pages, his eulogy for Thoreau; its simple sentences pointed simply, admiringly, to genius in the pages ahead. To someone a cut above.

Link to Atlantic Monthly archive of the original publication of Emerson’s eulogy in 1862: http://www.theatlantic.com/magazine/archive/1862/08/thoreau/306418/

Taking “Shadies”

“As I walked on the railroad causeway, I used to wonder at the halo of light around my shadow, and would fain fancy myself one of the elect.” Thoreau, Walden

All the phoo-rah that gathers around groundhogs in early February has had me watching shadows. And that, mixed with my habit of taking everyday photos, has led me to “shadies,” a sort of self-representation that seems apt for woodswalkers, who surely track shadows as intently as light, or self.

I took my first recent shady by accident – there, in a micro-climate nursed by the sun, were a few shoots of green grass. Attuned to winter’s shades of sere and brown, I bent first to look, and then for a photo. Later, when I scanned the day’s images, I stopped on this one: the green was arresting in its shades other than pine, but so too was the shadow crowding in from the left. What threw that, I wondered?

It took a moment to recognize my shadow-self. No “halo” though, and so not “one of the elect” under the eye of divinity. A relief.

Not long after, it occurred to me that the “shady” should replace the selfie, if one is of a mind to record presence. There could even be shady-sticks, repurposed selfie-sticks that are held behind and between person and sun. Such a shot would rearrange the celebrity-selfie as well: whose shadow is that next to my familiar own?

Shadies are all about silhouettes, an older sort of representation before full-frontal me-ness claimed everyone’s attention. They suggest presence without making it central; they are the outline of story without the banal details and chipped tooth.

An old shady from the Kerry Way

An old shady from the Kerry Way

Attending to shadow also makes us more aware in the woods, where the margins of little light hold the world’s other animals. No longer in peril (unless you run or walk in lion territory), our sense of the shadowy periphery has faded; what used to be a wide angle of awareness has shrunk to a few central degrees. And, as I watch a whole new generation of walkers with bent-over heads, focused on small glowing screens, oblivious to what’s around them, I realize what easy meat we have become.

Trees, of course, know shadies.

Trees, of course, know shadies.

The shady then is remainder and reminder. Our shadows say that we were there, are here, but they say also that we are not the whole show.

New walking mantra: Leave only footprints; take only shadies.

My current, signature shady

My current, signature shady

Looncast

One of the wired life’s pleasures lies in suddenly being taken elsewhere, or, at least, reminded of it. Just so the other day when my inbox brought news from Yellowstone; it promised loon news to boot.

As the poet Gary Lawless notes in these perfect lines from his poem, Listening for Loons,

“like loons we dive under
dive under and
come up somewhere else.’”

And so I leaned forward to see where this loon might rise, where I might come up. The indicator-ripple was one line: “Click on To Catch a Loon when you have 11 minutes.”

Can loons hold their breath for 11 minutes, I wondered as I checked my watch, where I found that I didn’t have 11 immediate moments. “Later,” I said…and worried vaguely that the note might not be there when I returned – that both is and isn’t the way with loons, I’ve found.

In the warmer seasons, when yearlings are along the summer coast, or, in the fall, when parent-loons show up too, I often find gatherings, 4s or 7s of them at predictable sites along my kayak-trails. Then again, every third time, there’s no one there, and I’ve stopped counting the times when, out in the middle of absence, I hear a floating call. For which I always stop and begin scanning the wavelets and reflections until I spot the loon.

In a warmer season.

In a warmer season.

Eleven unspoken-for minutes appeared yesterday, and I clicked the link, feeling the imagined Gs warp me some as I was drawn toward Yellowstone. A call/howl greeted me; a voice intoned that I was hearing a “top predator.” Okay, wolf, I was sure. Then, the podcast morphed to the call of another “top predator”: ah, loon, of course. Boss bird of the lake.

A little rock music followed, to remind me that all life has a soundtrack, and then the narrator’s voice took me into the nights: specifically into the night woods trekking toward the night lake, where loon biologists would attempt the night capture and banding of a mother loon, one of only a dozen loons living in the park.

One of the biologists was loon-notable, Jeff Fair, a friend whose 40+ years of fieldwork form an important part of our loon-knowing. Fair would also be the night-paddler, who would steer the canoe to the loon-catching point – who paddles so precisely and quietly, arriving alongside a bird that Henry Thoreau (famously) could only laugh with from an always-different distance during his loon-games on Walden? Loon-master Fair.

Well, if you’ve read this far, it’s clear that you have 11 minutes to spare; what about another 11? Click this link for a little travel and some looning; send it on to the varied birds of your life. They will like you for it.

http://www.nps.gov/yell/learn/photosmultimedia/telemetry.htm

Best news: these 11 minutes contain a little audio-tutorial on making baby loon calls, which are central to the strategy of capturing a loon at night. Those calls lure the loon, and they will be a rich replacement for the poor imitation of Loonish that I have so far voiced when trying (repeatedly, I confess) to strike up conversations. When no one else is here, I have begun practicing already.

Already, I sense summer answer.

A loon out there in the Walden mist?

A loon out there in the Walden mist?