Category Archives: Living Deliberately

Declaration

Note: I’ve posted this piece once before, on July 4th of last year, and so a second posting makes a bit of a tradition of it. Happy dependence day!

Two years, two months, two days.
Henry Thoreau was wary of symbols

thoughts and things that go two
by two into the ark of the mind.

And when he took time off, absconded
with it to the pond on July 4th,

1845, he scoffed at those who saw
declaration of independence, in truth

he might have said, I am more
dependent than ever, on this pond

on this earth, on these feet, not
to mention the sky that shines

in the water, a medium really
for seeing up and down, for

seeing two ways at once, a unity
upon which I row my boat and

in which I bathe every day.

Morning water at Walden

Morning water at Walden

But For…

I sit in my boat on Walden, playing the flute this evening and see the perch, which I seem to have charmed, hovering around me, and the moon traveling over the bottom, which is strewn with the wrecks of the forest, and feel that nothing but the wildest imagination can conceive of the manner of life we are living. Thoreau, Journal, 5/27/41

But for a few mosquitoes, these evening hours are the year’s most inviting. Even midnight reminds that this is the season of light; the night sky never wears the tight-fitting wool cap of winter – it is always some wash of gray. The old day filters up still into the western sky until, taking over, the new day promises from the east.

If I lived by a pond, I would be out on it in these hours. Which tend also to be wind-quiet ones. Still, the nearby coves of sea will do, and some evenings, I go there. Whatever has blown through during the day (fronts warm or cold) to stir the leaves and waves dissipates as the sun slips down, and the water goes glassy. Now the only wavelets are those of the vee that trails me wherever I go, announcing my passage, pointing to my presence, predicting my way.

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Then, a little offshore, I stow my paddle and float only.

Even the mosquitoes seem entranced. They circle lethargically; perhaps, after a long day of battling winds and biting warm-blooded water-goers, they are sated. I may may have the same appeal as a third dessert. I wave them away half-heartedly; they fly likewise. And then whatever it is that tethers me to the everyday disappears.

The tide ebbs and I float out under a sky shot with light. I am reminded of a friend who likes to take a rowboat out into the middle of a lake and then lie down and watch the sky until the boat’s bumping on some shoreline tells him to raise his head and see where he is. While the boat drifts the mind goes free. But for the shore…

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Blood for the Thrush

The wood thrush’s is no opera music; it is not so much the composition as the strain, the tone, — cool bars of melody from the atmospheres of everlasting morning or evening. It is the quality of sound not the sequence. Thoreau, Journal, 7/5/52

Wood-thrush

The wood thrush was said to be Henry Thoreau’s favorite bird – he called it “the finest songster in the grove” – and its dependency on deep woods mimics his nicely. Whenever I hear a thrush, I know that I’ve made my way to the woods-world, to a fullness of forest; I am beyond the margin. Here then is one such walk.

Blood for the Thrush

Morning walk and
the sanguinaries gather
as if I were an offering; still,
I figure a thimbleful’s
fair trade for this liquid
trill, and I give
to those I miss
with my swinging cap
equivalent to a horse’s tail
in its constancy and futility.
In deep, I reach
a place where four songs
overlap, a rippling
call-and-response throughout
these woods that some call home.