Category Archives: Environment

May the Forsythia Be With You

Okay, cheap the title may be. But spring begins in the mind, takes hold as attitude, enabled, of course, by the rising light.

During the past few days, the temperature hasn’t reached thirty, and much of the time, its cold nose has found a way through any opening. Still, the first forsythia have bloomed. Yes, these yellow sprays are really forced-sythia, a rite of spring learned from my father, and one that in many years (last, for example) has had me hip deep in snow, cutting sprigs with my clippers.

IMG_1054

This year, I strolled right up to the wiry branches and took my time choosing those that showed a good number of buds. Then, I set them in a vase of warm water, and along with the rest of the watching world, began to wait. Even in their spare winter form, the branches are handsome, describing curves in the air, reaching for what’s next.

And in their incremental, daily swelling, the buds offer reminder of rebirth. This year, the light joins them; it falls in streaks across the dun colors and lifts the heads of a few winter-flattened ferns in pockets of woods. The glare of reflected, eye-squinting white is absent – last winter was so bright, I had often had to look away. And, by this time in March last year, many of us were trying also to get away.

But here, gift of El Nino, or warning from climate, or simply, gift, comes spring and its varied arrivals. For me true spring will arrive with the scratchy song of the redwing blackbirds, as they celebrate every wetland, little and large, with announcement.

But, for now, I’ll take these little, yellow blossoms. Sure I am with me the force-sythia is.

Seeding the Breeze

Their gray stalks stand still at attention. Even after winter’s varied batterings, many of them are intact, though closer inspection finds the ground littered with remnants too. On this sunny, early March morning when winter seems to have given up on itself, the southwest breeze brings scent of ocean, and it stirs also these milkweeds. As I watch, a finger of air finds one brown seed suspended beneath its silky white parachute, and the whole ensemble lifts off; at eye-level, it sways in place, seems to hesitate, then it flies upfield, with the wind.

All across this small forest-girt meadow, this flight happens again and again, and sometimes the air seems seeded with a snow that rises, that aims to ascend again to the sky. I am mesmerized by the flight of seeds. Also by their promise.

I let one go, and it rises slowly and uncertainly at first, now driven this way, then that, by invisible currents, and I fear it will make shipwreck against the neighboring wood. But no; as it approaches it, it surely rise above it, and then feeling the strong north wind, it is borne off rapidly in the opposite direction, over Deacon Farrar’s woods, ever rising higher and higher, and tossing and heaved about with every fluctuation of the air, till at fifty rods off and one hundred feet above the earth, steering south — I lose sight of it. Thoreau, Faith in a Seed

When I left for home, I took with me two pods, one with its silky seed-strands matted by winter snow and water, the other seemingly just burst. Along the way a few seeds floated away – I was, intentionally for a while, one of Nature’s dispersers. I was also drawn by the colors of the pods, a driftwood-pale-gray, against which the white seed strands glowed, and the dark brown heart of seed suspended below. A perfect composite of earth and sky.

Thoreau observed milkweed seeds closely, and, of course, counted them too, finding 134 in one pod and 270 in another.

Thoreau observed milkweed seeds closely, and, of course, counted them too, finding 134 in one pod and 270 in another.

Despite its weedy surname, milkweed is no throwaway plant. Not, anyway, if you like the monarch butterfly. Preferred food and nursing-station for the larvae of these remarkable migrant butterflies, milkweeds have long been under human attack for their seeming uselessness. They are no “crop,” goes the reasoning, so why cede field-space to them?

But if your crop is beauty and miracle, if, in short, your crop is life, then you will admire the milkweed. Not only do its seeds fly finely on the wind, but they enable also the multinational life of the monarch. Reason enough to praise rather than poison the milkweed.

And as often happens with sightings while I walk, these milkweeds have sent me back to readings, both on line and in Faith in a Seed, Brad Dean’s remarkable “first publication of Thoreau’s last manuscript” in 1993. It is the finest kind of spring reading.

Here’s an excellent University of Minnesota website for Monarch Questions: http://monarchlab.org/biology-and-research/ask-the-expert/faq/

Taking “Shadies”

“As I walked on the railroad causeway, I used to wonder at the halo of light around my shadow, and would fain fancy myself one of the elect.” Thoreau, Walden

All the phoo-rah that gathers around groundhogs in early February has had me watching shadows. And that, mixed with my habit of taking everyday photos, has led me to “shadies,” a sort of self-representation that seems apt for woodswalkers, who surely track shadows as intently as light, or self.

I took my first recent shady by accident – there, in a micro-climate nursed by the sun, were a few shoots of green grass. Attuned to winter’s shades of sere and brown, I bent first to look, and then for a photo. Later, when I scanned the day’s images, I stopped on this one: the green was arresting in its shades other than pine, but so too was the shadow crowding in from the left. What threw that, I wondered?

It took a moment to recognize my shadow-self. No “halo” though, and so not “one of the elect” under the eye of divinity. A relief.

Not long after, it occurred to me that the “shady” should replace the selfie, if one is of a mind to record presence. There could even be shady-sticks, repurposed selfie-sticks that are held behind and between person and sun. Such a shot would rearrange the celebrity-selfie as well: whose shadow is that next to my familiar own?

Shadies are all about silhouettes, an older sort of representation before full-frontal me-ness claimed everyone’s attention. They suggest presence without making it central; they are the outline of story without the banal details and chipped tooth.

An old shady from the Kerry Way

An old shady from the Kerry Way

Attending to shadow also makes us more aware in the woods, where the margins of little light hold the world’s other animals. No longer in peril (unless you run or walk in lion territory), our sense of the shadowy periphery has faded; what used to be a wide angle of awareness has shrunk to a few central degrees. And, as I watch a whole new generation of walkers with bent-over heads, focused on small glowing screens, oblivious to what’s around them, I realize what easy meat we have become.

Trees, of course, know shadies.

Trees, of course, know shadies.

The shady then is remainder and reminder. Our shadows say that we were there, are here, but they say also that we are not the whole show.

New walking mantra: Leave only footprints; take only shadies.

My current, signature shady

My current, signature shady