Category Archives: Arts

May the Forsythia Be With You

Okay, cheap the title may be. But spring begins in the mind, takes hold as attitude, enabled, of course, by the rising light.

During the past few days, the temperature hasn’t reached thirty, and much of the time, its cold nose has found a way through any opening. Still, the first forsythia have bloomed. Yes, these yellow sprays are really forced-sythia, a rite of spring learned from my father, and one that in many years (last, for example) has had me hip deep in snow, cutting sprigs with my clippers.

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This year, I strolled right up to the wiry branches and took my time choosing those that showed a good number of buds. Then, I set them in a vase of warm water, and along with the rest of the watching world, began to wait. Even in their spare winter form, the branches are handsome, describing curves in the air, reaching for what’s next.

And in their incremental, daily swelling, the buds offer reminder of rebirth. This year, the light joins them; it falls in streaks across the dun colors and lifts the heads of a few winter-flattened ferns in pockets of woods. The glare of reflected, eye-squinting white is absent – last winter was so bright, I had often had to look away. And, by this time in March last year, many of us were trying also to get away.

But here, gift of El Nino, or warning from climate, or simply, gift, comes spring and its varied arrivals. For me true spring will arrive with the scratchy song of the redwing blackbirds, as they celebrate every wetland, little and large, with announcement.

But, for now, I’ll take these little, yellow blossoms. Sure I am with me the force-sythia is.

On Edge – Little Mysteries in Thoreau’s Journal

The knife I use to open the still-joined pages in my edition of Thoreau’s journal comes from Durango, Colorado; more precisely, it comes from a trail that winds above the town into the mountains. There, one morning as we walked up, finding our way eventually to a 12,000’ high point, I noticed anomaly packed into the reddish dirt; a flat, black stone, I thought. As I bent to look, I saw patterning, which resolved as the incised side of a 5-inch buck-knife. I dug it out, looked instinctively around for the owner, and, seeing no one, pocketed my find. No one else had been there for weeks.

That evening, I cleaned the knife, washing away the grit, scrubbing the blade, which soon shone dully, even as it held a fine edge. It became my trail-knife, both in the hills, and along the long reach of Thoreau’s uncut journals. If I look closely, I can still see the red dirt from that long-ago trail lining the cross-hatchings on the knife’s side.

Over time, I’ve come across a few other incisions as I’ve dropped like some small, literary paratrooper into this journal or that. A few whole pages have been sliced from this 1906 edition, and, of course, that has made me curious. The writer from whom I received these books struck me – though I knew her only a little – as a preserver. She had been a local newspaper editor and historian, and, when people wanted an answer to a town question from the past, they were likely to hear, “Go ask Eleanor. She’ll know.”

Each week, Eleanor would write a column about some local evolution, and each week, my wife, who edited the paper, would stop by to collect that column. Eleanor seemed to lead an interior life at that time, and most often the column, typed with the old Courier font, would be in a basket in the entryway to her house. Still, some connection must have formed, because one spring, books in boxes began to accompany the columns. And one of those boxes – two actually – held the 1906 edition on Thoreau’s journal and published works.

Some of the books that contributed to Thoreau's journals. Henry's Walden Pond library.

Some of the books that contributed to Thoreau’s journals. Henry’s Walden Pond library, as on display in the Special Collections at the Middlebury College Library.

Some years passed before I noticed the first missing page; its cut was straight and clean. It had been careful work. I had, by that time, devised my own cutting ritual, using my found buck-knife for the joined pages in sections Eleanor and whoever had owned these books before hadn’t opened. If I took care and drew the blade steadily toward me and down the seam, the paper parted so each page matched. If I hurried or even turned my head a little toward distraction, the paper would tear into ragged edges, though most of the time the generous margins left the writing intact. Still, each poor cut felt like injury.

But this excised page puzzled, and I looked into it. Research brought a few fantastic moments: might I have, as gift, one of the 600 Manuscript Editions, the 1906 printing that bound in a page of Thoreau’s original journal to each 20 volume set? I sat back in a little dream of discovery’s edge.

Well, no. Those editions were numbered; mine was not. A quick search on line shows that copies of the Manuscript Edition are still out there for sale…if you have roughly $20,000 to spare. My edition, the Walden Edition, clearly issued from a usual print run, part of a broader stream of publication, and a pencil notation suggested that Eleanor had acquired it in 1987, for the meager sum of $25. What then had been cut cleanly out? I would have to find out when I next met this set of books in some other library.

Still, this gift edition carries forward, offering affirmation and surprise. And, as further reward, during my sleuthing, I’ve reread Emerson’s unadorned and adoring introductory pages, his eulogy for Thoreau; its simple sentences pointed simply, admiringly, to genius in the pages ahead. To someone a cut above.

Link to Atlantic Monthly archive of the original publication of Emerson’s eulogy in 1862: http://www.theatlantic.com/magazine/archive/1862/08/thoreau/306418/

Taking “Shadies”

“As I walked on the railroad causeway, I used to wonder at the halo of light around my shadow, and would fain fancy myself one of the elect.” Thoreau, Walden

All the phoo-rah that gathers around groundhogs in early February has had me watching shadows. And that, mixed with my habit of taking everyday photos, has led me to “shadies,” a sort of self-representation that seems apt for woodswalkers, who surely track shadows as intently as light, or self.

I took my first recent shady by accident – there, in a micro-climate nursed by the sun, were a few shoots of green grass. Attuned to winter’s shades of sere and brown, I bent first to look, and then for a photo. Later, when I scanned the day’s images, I stopped on this one: the green was arresting in its shades other than pine, but so too was the shadow crowding in from the left. What threw that, I wondered?

It took a moment to recognize my shadow-self. No “halo” though, and so not “one of the elect” under the eye of divinity. A relief.

Not long after, it occurred to me that the “shady” should replace the selfie, if one is of a mind to record presence. There could even be shady-sticks, repurposed selfie-sticks that are held behind and between person and sun. Such a shot would rearrange the celebrity-selfie as well: whose shadow is that next to my familiar own?

Shadies are all about silhouettes, an older sort of representation before full-frontal me-ness claimed everyone’s attention. They suggest presence without making it central; they are the outline of story without the banal details and chipped tooth.

An old shady from the Kerry Way

An old shady from the Kerry Way

Attending to shadow also makes us more aware in the woods, where the margins of little light hold the world’s other animals. No longer in peril (unless you run or walk in lion territory), our sense of the shadowy periphery has faded; what used to be a wide angle of awareness has shrunk to a few central degrees. And, as I watch a whole new generation of walkers with bent-over heads, focused on small glowing screens, oblivious to what’s around them, I realize what easy meat we have become.

Trees, of course, know shadies.

Trees, of course, know shadies.

The shady then is remainder and reminder. Our shadows say that we were there, are here, but they say also that we are not the whole show.

New walking mantra: Leave only footprints; take only shadies.

My current, signature shady

My current, signature shady