Footsong

“To come down to my own experience, my companion and I, for I sometimes have a companion, take pleasure in fancying ourselves knights of a new, or rather an old, order, — not Equestrians or Chevaliers, not Ritters or Riders, but Walkers, a still more ancient and honorable class, I trust. The chivalric and heroic spirit which once belonged to the Rider seems now to reside in , or perchance to have subsided into, the Walker, — not the Knight, but Walker Errant. He is a sort of fourth estate, outside of Church and State and People.” Thoreau, Walking

These familiar words lead us into Thoreau’s famous essay, continuing a run of hyperbole designed, I think, to alert us to the possibilities in the pedestrian, and also in the local. Two feet and a bit of “fancy” are all it takes to slip from the usual into the mythic. Again and again, I’ve found that to be true, as recently as yesterday, when September’s angled light, a windless warmth and the drowsy insect-hum of late afternoon transformed our local woods into another land from which I emerged dazzled at walk’s end.

Today, however, we do leave for another land, traveling for the first time to Ireland, surely a place of mist and myth. How will we make our way there? Thoreau’s essay seems the right guide, supplementing some of our research reading in usual guidebooks with guidance for our spirits. In fact I know of few better ways to find the local particulars of a place, the moments and markets that become memories, than to visit as a Walker Errant.

Both parts of my new/old title count, I think. The foot by foot parsing of way and place bring us to each new sight and corner at the pace of perception. And, as we learn and relearn over time, just as losing our ways can make can make the local foreign, it can also make the foreign familiar.

Step by step along the cobbled way.

Step by step along the cobbled way.

Travel note: with luck, I’ll be able to check in on The Roost and post an Irish thought or three from time to time. But, if errant wanderings or links prevent that, I’ll look forward to rejoining you in a few weeks.

Floaters – Notes from Late Summer

On September 13th in 1853, Thoreau set out from Boston Harbor on his second trip to Maine. “It was a warm and still night,” wrote Thoreau, “and the sea was as smooth as a small lake in summer, merely rippled.” A little later, he noted about the view from the sea, “We behold those features which the discoverers saw, apparently unchanged.”

This September’s early weeks seem also to be “merely rippled,” the sort of season that invites one out on the water. The summer crowds have dispersed, and as you float in solitude, or paddle languidly, “those features which the discoverers saw” are “apparently unchanged.”

Two Times to the Sea

September 8th: It is warm, and the day is suffused with a late summer, insect-hum; such days suggest pause, equipause, we might call it, in honor of the oncoming equinox.

I come in to Ragged Island from the west on mildly-ruffled water with a light north wind opposing the incoming tide, and I ride on today’s little sea-breathing, the swell that swells only to a few feet and then falls. The stubby rock arms of the coves reach a few meters into the sea, and, on a calm day – this one – they create little protected inlets, where the seaweed sways with the inflow and the tidal rocks draw breath with each outflow.

On either side of me, there’s the emerald backside to shoaling water with its inset of opal-white as swells arrive and lift themselves on the ledges’ backs.

Today’s tide – very high, an 11-foot one – lands me on the sea-grass fringe of the northwest side, where the small beach features a huge drift-log – say 20 inches in diameter – perfect for sitting. I notice that the long arm of rock that reaches west at beach’s edge has a 5-runged, wooden ladder perched atop a broken-off boulder; I don’t wade to it and climb, but perhaps I should have. Ladders have their lure; they go up, the direction of life. But on this day, I’m content with sea-level surveying.

Amid the sea rubble, the remains of a duck, its wingbone disappearing into the mass of feathers still intact, the meat all gone – fly until you’re food.

Sitting on my beach-log and looking over all the little, ground-down pieces of the beach, piled a little deeper at the tideline – wash and grind, wash and grind.

On all sides of this island, the rocks are water-battered and rubbed smooth up to heights of 20 feet; it is talk of towering waves.

Anomalous Island Stone

Anomalous Island Stone

Later, I read that a California exercise physiologist (who among other projects, has measured the Vo2 Max of mountain lions) has measured big wave surfers’ heart rates (HRs) and found that they stayed at an astounding 180+ throughout a 3-hour stint of surfing (this at the legendary Mavericks break). Even sitting on the beach looking out at the break, their HRs soared. This makes me wonder what my HR is while paddling, even contemplatively. Probably there is some rising graph that tracks with the liveness of the water I’m riding (or watching). It makes me think back to the wave-battered stones on the island; I feel my pulse jump…a bit.

September 15th: a paddle to and from Little Whaleboat Island. Sightings: 4 loons, and they were either molting or first-year loons; clearly loons, but without the distinctive patterning of neck and breast; also, the water where they were hanging about was rife with little loon feathers. As in years past, they were in the indent of water between Lower and Upper Goose islands. I floated with them and “vocalized,” even getting single note answer from one, though “answer” is too strong a word.

Today, a pleasing mix of quiet and ruffled water: in the lee of the Gooses, and, later, out by Little Whaleboat, the water was nearly calm, with a light brush of west wind. On the way out, between Upper Goose and Mere Pt., the water was bumpy, with tide running out and wind amplifying it a bit from the west. Then, the early crossing to L. Whaleboat was choppy, again with wind running 90 degrees off of tide. A mix of waves from west and southwest, but at a foot+ simply enjoyable.

At all the usual pullouts, there’s empty sand and strand; the flattened grass at the “secret” campsite on the south end of Little Whaleboat is starting to rise; the Goslings have gone quiet, as has the anchorage in their shelter.

One butterfly making its way southwest across the reach of water, making perhaps a knot better than I am. Such stamina. A few seals, curious periscopes. Perhaps the last week for the ospreys, who still keen at my approach, even as their nests are long empty; they hang in the air facing the southwest – perhaps they too feel migration’s call.

Last note: The 60-year-old apple tree I’ve watched for years on my favorite islet is, as this spring announced, truly defunct; already, it is weathering to sea-grayed wood. I looked for shoots of offspring, but the miracle of apple islet doesn’t seem set to repeat itself. The islet reverts from eden to the primrose-lined usual, its “features which the discoverers saw, apparently unchanged.”

Evening Light, post-paddle, Casco Bay

Evening Light, post-paddle, Casco Bay

Added note: what didn’t happen to me: video of a breaching whale and kayak-folk from the BBC: http://www.bbc.com/news/science-environment-3399

Seeing in the Dark

…I frequently had to look up at the opening between the trees above the path in order to learn my route, and, where there was no cart-path, to feel with my feet the faint track which I had worn or steer by the known relation of particular trees which I felt with my hands, passing between two pines for instance, not more than eighteen inches apart, in the midst of the woods, invariably, in the darkest night. Thoreau, Walden

It’s evening, and we’ve gone inside. The day’s colors are damped down; the visual world shows in soft tones tending toward gray. I sit in a pool of lamplight and open a book, reach over and crank the window once to admit a trickle of coolish air and the woods-smell from the pines. The scented air slips in, and with it comes night’s announcement from our resident tree frogs: “TTHHRRRRIILLING,” they seem to trill. “TTHHRRRIILLING!”

The frogs’ call doesn’t exactly invite you out, but it wonders; so now do I. I tend to tuck my days in at dusk, favoring the armchair to the evening amble, favoring, as do many, the light to the dark. There are, of course, reasons for this, among them, post-dinner torpor, accumulated fatigue, and, at times, the bright, visual fire of the screen.

Recently, in high daylight, a fox ran through the yard; it appeared from beneath the rhododendrons and made a linear track across the grass, disappearing by the corner of the garage. I got a good look: this fox was a scruffy affair, with clots of fur hanging off a too-thin body in this season of plenty. His appearance, physical and temporal, suggested some sickness. Foxes are crepuscular in habit, night creatures really, when they are suggestions of motion bearing teeth amid shadows. What was night doing out in the light?

Neighbors immediately thought, disease, and they were probably right; I began to think about daytime visits from visions of the night, and then about my own visits with the night, times when the usual became strange and new, and I was awake to it.

As companion in this wondering, I had also my visits to a local exhibition at the Bowdoin College Museum of Art. Night Visions (ongoing until October 18th) is an inspired idea and collection that looks at American paintings at and of night from the mid-19th to mid-20th centuries, the time of transition from old-style darkness to our illuminated contest with night.

Frederic Remington painting. Note the way the wolf's eyes are kin to the stars.

Frederic Remington painting. Note the way the wolf’s eyes are kin to the stars.

A walk through the exhibition is a walk back into another kind of darkness and then back into our own attempts to light the night. Both are, as the tree frogs remind me, “TTHHRRRRIILLING”; they reminded me also of Thoreau’s meditation on walking at night, which deepens to praise of getting lost, as a way awakening and being, finally, found in his Walden chapter, The Village (see passage at this post’s outset). Notably, I think, this meditation also immediately precedes his story of being jailed for nonpayment of taxes – another awakening venture into a form of darkness.

When you adopt a mind of night as you read, you may find that there’s also a fair amount of night-wandering and night-musing in and at Walden. In pursuit of being awake, Thoreau did not confine himself to the day.

And even now, Walden night-swimmers walk in from the west side woods to the little coves near the railroad tracks…not that I have ever done so…to make their acquaintance with the night.

Here’s a link to the Bowdoin College Museum of Art’s exhibition:http://www.bowdoin.edu/art-museum/exhibitions/2015/nv/