Category Archives: Arts

Nosing Out

This is a very beautiful November day, — a cool but clear, crystalline air, through which even the white pines with their silvery sheen are an affecting sight. It is a day to behold and ramble over the hard (stiffening) and withered surface of the tawny earth. Thoreau, Journal 11/22/60

I awoke today to the first froth of snow rimming the yard. It was gone in the time it took to drink my coffee. But it serves as announcement. Still, the season shifts a little more slowly on the nearby ocean, and not long ago I was on it in search of slowed motion. Being near the ocean as the year ebbs (or floods) gives you access to two seasons, the foot-stepping one of the land and the slow follower of the water.

For the most part, the water-season’s over. Boats are shrink-wrapped and tucked away in storage; only the wind-flung leaves animate the waves as they reach for the shore; and all the osprey and eagle nests that sowed the air with birds are empty. Still, on a day when the winds stay away, and after the slanting sun warms the air a little, I sometimes rack my boat on the car’s roof and go to the sea.

To be clear, as the waters cool, I am wary. The ocean buoys are flirting with 50, and even in the calm bays the temps aren’t much higher. A bath in that sort of water can quickly become a one-way plunge. But I have a drysuit, which makes me feel a little like an astronaut – sans the helmet and Houston – and I’m not about to embark on a “test-piece” of paddling toward some extreme, so some float-time seems okay.

On this day, even in the afternoon, the sea-world seems to have exhaled and dropped into a nap. What ripples there are on the waters emphasize their calm and the tranquil sky above. Paddling on such a surface has the feel of sliding across polished glass, and I begin my circuit of little islands by making the day’s long letter – the V of passage.

The V that makes the V of passage

The V that makes the V of passage

As the point of this V I aim at little Scrag Island, and its northern headland, a cliff that looks like a big ship’s prow. There, I drift for bit, watching the silent rock, admiring how the fifty-foot pines somehow find holds that keep them upright and growing an annual foot or so. The absence of any “quick-life,” – birds, boats, us – keeps me at this scene where pine clasps rock; I feel no hurry. When I do paddle on, the shore sliding by on my left, it is simply for the pleasure of this easy sliding.

Island pines holding on, rising

Island pines holding on, rising

There is, I think, no large message from this day, other than its glimpse into the longer spans of time where tree and rock simply persist. But there is the expanse of water and sky, the stretch of vision that seems, as I float, back on time’s tide.

Though you are finger-cold toward night, and you cast a stone on your first ice, and see the unmelted crystals under every bank, it is glorious November weather, and only the November fruits are out. Thoreau, Journal, 11/22/60

Today is one of those fruits.

Deep Fall – Little Leaf Story

“At present, these burning bushes stand chiefly along the edge of the meadows…They take you by surprise, as you are going by on one side, across the fields…” Thoreau, Autumnal Tints

A spate of frosts and winds and rains have brought down most of the oak leaves, which, even before those comings, had given up their fire for the muted season’s brown hues. In the woods the understory-evergreens are decked out in these browns; they wear them as epaulets, caps, sometimes cloaks. And yesterday, I saw a gray squirrel bearing a whole mouthful of them up tree. The bunched leaves were much bigger than his head, and, at first, I thought I’d come upon a deranged squirrel – did he really think he could re-leave the tree, turn back the season? Or, perhaps, conjure acorns from oak leaves? But then reason displaced fancy’s O, and I figured that he was really lining his winter quarters, going through the season’s checklist like any winter-wary citizen.

On the fringe of a field around a small interloping tree, I saw a mat of deep maroon speckled with what seemed, as I drew closer, to be leaf-ghosts. There, at intervals, lay outlines of the palest white. They looked like little crime-scenes chalked on a dark backdrop; once, they seemed to say, there was a leaf here.

Two Sides

Two Sides

I bent down and reached for a ghost. A little to my surprise, it came away in my hand, and when I turned it around, there was the same maroon I’d seen first, the day’s deepest color.

The day's deepest hue

The day’s deepest hue

I carried two away to check my tree book and see if my guess – red maple – was right. And I wanted a photo of the ghost-side, which still seemed impossibly white, the white of absence itself. Or the brightest fire.

IMG_0935

Journal of Change

Not so long ago the full moon drew one of our largest tidal swings through the nearby bay. Nearly 12 feet of water coursed in and out, and I went down to have a look. What I found was a journal of change. Its lines were written with light and water and feet; and, as I looked more closely ice too. Such a journal put me in mind of Henry Thoreau and his journals of change.

The whole bay on which I float often was mud to the horizon, and dotted here and there were clammers, who, during this tide, had a chance to dig in beds that are usually submerged. A lot had opened up, even as the season feels devoted to closing inward.

Here are some visual notes from the day, with brief interpretations beneath. You may, of course, read them differently, see different stories. Let us know what you see.

Is not the patterning of the light writing? Can you read it?

Is not the patterning of the light writing? Can you read it?

 

A think line of tracks suggests the ruffled mud is the digging of a clammer.

A thin line of tracks suggests the ruffled mud is the digging of a clammer; the other furrows are the writings of water.

 

Split by ice

Split formatting by ice

 

More words from the long wash of water

More words from the long wash of water

 

Perhaps the thin light lines are the markings of ice sheets of different heights.

Perhaps the thin light lines on the rounded stone are the markings of ice sheets of different heights.

 

Water at slow work wearing away the land; tree persevering.

Water at slow work wearing away the land; tree persevering.

 

And, of course, fall's painting.

And, of course, fall’s painting.